The description on Amazon was this: Belkin BoostCharge Flex Silicone USB-C to USB-C Charging Cable (1M/3.3FT) for iPhone 16, iPhone 16 Pro, Galaxy S25, S24, Pixel 9 & 8, Nintendo Switch 2 & More with Cable Clip - Black
3,040 karma · joined January 14, 2018
Personal: office@neil.computer Work: office@usgraphics.com
The description on Amazon was this: Belkin BoostCharge Flex Silicone USB-C to USB-C Charging Cable (1M/3.3FT) for iPhone 16, iPhone 16 Pro, Galaxy S25, S24, Pixel 9 & 8, Nintendo Switch 2 & More with Cable Clip - Black
I posted the situation on Twitter: https://x.com/usgraphics/status/1889932074758578686?s=20
I think they're same as SATA drives, just different interface. AFAIK they have the same physical dimensions and same internals.
I recommend staying away from SATA drives (huge consumer rush) and look for SAS drives on eBay, particularly HC520 Helium drives from HGST/WD. Need a SAS3008 PCIe adapter ($20) and a SFF-8643 splitter ($30). No backplane is required. Huge lots of decommissioned drives frequently appear. I bought Qty 10* of HC520 (12TB) SAS drives for $1000 about 3 weeks ago, avg age is about 2.5 years, still well within its rated lifetime.
Yea may be some of the stuff is fear mongering and cargo culting. I was told ECC is necessary for ZFS. When the article was written, it was cheap af (2024) to buy ECC RAM so not much consideration was given to it.
-- (*) I have no idea what to do with it. Anyone has any good idea for using 120TB space? I have about 40TB unused bandwidth in the datacenter, may be host a Debian mirror? Donate storage/bandwidth to Internet Archive? Please contact me, appreciate it.
The reason why we have a "font configurator" is because lot of terminals/IDEs/tools/OS, etc haven't got a full support for OpenType features. So we let users configure it as they like and it just works.
The font needs work, especially Bold cut. I completely redesigned all glyphs from scratch and trying to get to release it. It's been a learning experience. Also condensed version is coming with it. All upgrades will be free to existing customers.
Btw, I agree with OP about good samples. It also bothers me a little bit when I see huge zoomed in shots of typefaces: Good for grabbing attention, but bad functionally unless it’s a display typeface specifically for billboard/headline use. So I will go to town with samples in 12 point size. We have a few but clearly not enough.
I think most of the glyphs are straightforward, the ones that would take time are the greek symbols. Unable to commit at this time, we're already behind with Berkeley v2 release by 6 months! :-(
I don't agree with your take on flourishes (in better terms, artistry). Every typeface has it. The process of designing a typeface is full of subjectivity and artistry.
Random hardware/software/typography/space/manufacturing topics.
Personally, I generally agree with you - ligatures add a layer of ambiguity. Toyed around with the idea of "precision ligatures", but it only works a subset of ligatures.
It's important to keep in mind that ligatures are at the presentation layer, i.e. when the glyphs are drawn. You can still copy and paste the text, underlying representation is still individual chars. Also, ligatures are optional, so why not; a lot of people love them.
Particularly about human vision and how visual information gets processed, priority and timing, etc. Some cool experiments (upside down face recognition).
*Looks up pigeonhole principle*: https://en.wikipedia.org/wiki/Pigeonhole_principle
> If 5 pigeons occupy 4 holes, then there must be some hole with at least 2 pigeons.
This is so obvious.
> This seemingly obvious statement, a type of counting argument, can be used to demonstrate possibly unexpected results. For example, given that the population of London is greater than the maximum number of hairs that can be present on a human's head, then the pigeonhole principle requires that there must be at least two people in London who have the same number of hairs on their heads.
Oh...
In short, we think 1 keypress = 1 symbol printed on the screen. That explicitness brings peace. But, we also think that ligatures are optional and many people like them (read about all the pros and cons in the link above).
That makes everyone happy.
It is easy as hell. What's there to not like? I don't care to be called names or being old fashioned.
I also don't care about "right" tooling for frontend. As far as it works, it is robust and it is going to be around for many years, I am fine with it.
I think there is still so much room to experiment with Grotesk typefaces. Perhaps the frustration is caused by everygoing going Druk in Magazine design and custom Corporate typography that's just incredibly...corporate. Every other grotesk fork of Akzidenz tends to follow Helvetica's path and the New York aesthetic. Public apathy is understandable.
The other fork of Akzidenz is Univers and its derivates; they are wonderful, especially for technical communication. I can't pinpoint why, perhaps it is nostalgia, but perhaps it is its formality and the way it is kerned by Adrian. Genius. I wrote about it on HN a few years ago: https://news.ycombinator.com/item?id=19621544
There are only a couple of decent typefaces that are alternatives to Univers. Unica77 and Swiss 721, both again trying to bring Helvetica into the Univers business.
So, I've taken up the task of propelling Univers forward. I hope it won't melt your eyes.
More spanking is needed, there cannot be enough.