Last time I was interviewing, I had ~5 take-home assessments sent to me. I didn't finish any of them. Much easier to prioritize a live interview. Less risk of having my time wasted.
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http://echevarria.io
contact: ivan@echevarria.io
Last time I was interviewing, I had ~5 take-home assessments sent to me. I didn't finish any of them. Much easier to prioritize a live interview. Less risk of having my time wasted.
I read your comment as saying that the exact same 50mm f/2 lens will produce less blur on an MFT body than on a full-frame body. That'd be a narrower FOV (~100mm equivalent) but the same blur as full frame. Perhaps I misinterpreted?
You typed out what I should have - I accidentally wasted people's in this thread by being vague
"The larger the sensor the blurrier the background can be, and this also changes the distance at what you can make a picture of something and still have a blurry background."
Blur is totally determined by optics and has no direct relationship to sensor / film area.
Started on it in undergrad to have a place of my own for photos and programming projects. I've slowly expanded it for the past few years. Heavily inspired by Tom MacWright's https://macwright.com
A lot of these critiques betray discomfort with abstraction.
I did what it said and got offers.
Some excerpts:
- "Making photographs has to be, then, a personal matter; when it is not, the results are not persuasive. Only the artist's presence in the work can convince us that its affirmation resulted from and has been tested by human experience."
- The best criticism comes from "the deepest commitment to sharing the picture with others. Anything less than that means defeat, calling attention not to the picture but to the critic."
- "When we are young, we want art that is filled with the bitter facts, because we believe that evil can be overcome if we face it; when we grow older and begin to doubt this optimistic belief, we want art that does not simply reinforce the pain of our disillusionment. In pictures like those by Hine the requirements of young and old are both met; the photographs urge reform, but seem to suggest that the need for it is not the most important thing to be said of life."
- "Contrary to popular expectations, many of the best nature pictures – often the truest and finally most reassuring – do contain people and their works."
fiction: Slaughterhouse-Five. I love repetition, and Vonnegut uses to great effect. I read most of it in an evening.
Its 65mm lens is amazing to use - the edges line up almost perfectly with the massive rangefinder window, so it's like taking a picture of what one eye sees. This is great because I believe the best images are the ones that look like seeing, that make it seem as if beauty is commonplace.
The other side of this is that certain crypto markets are highly liquid, and liquidity is sticky. Sure, they're subject to high volatility and intense drawdowns, but being a focus of trading is something that lingers a long time. Most traders don't care about fundamentals. This is just another place to speculate to them (that's not a value judgement on my part), and the best places to speculate are places with lots of other participants.
I know that basically boils down to "it's popular because it's popular," but I do think it's self-reinforcing or self-sustaining. Narratives drove money into crypto and to this high point, but I think these reflexive dynamics are also keeping it elevated