181 karma · joined February 17, 2017
Even when considering the population of people without dyslexia, I can't think of examples of vernacular human alphabets that have many pairs of distinct symbols that are identical under some symmetry. So maybe symmetry is an alphabet design antipattern.
I sketched some alternatives here:
It’s obvious from CS201 that this phrase is generally true and I have no pedantic objection to its inclusion in the article. However, I’m curious if this is strictly true or if we can find a (nontrivial) counterexample. Are there any algorithms that run faster as input grows? My first intuition is some kind of probabilistic question solved to a given correctness bound.
Edit: it is trivial to construct an algorithm with this property. My precise question is whether any meaningful problems have optimal algorithms with this property.
Why must this be the case? This is a genuine question, not a pure objection.
Consider two oxygen levels, o_1 and o_2, where o_2 << o_1 due to vacuum removal. Consider a set of chemical reactions that occur between wine and the surrounding environment. Of oxygen, glass, trace chemicals, cosmic rays, astological auras, etc. Let ℜ be the set of chemical reations that affect phenomenological quality (flavour) (presumably negatively, as a just-opened bottle of wine is at the peak of quality and can only degrade).
Why must it be the case that o_2 is the limiting factor for all, or even some, of the elements of ℜ? What if another quantity (surface area, pressure, etc) limits the pace or extent of the reaction, and just as much degradation occurs with partial vacuuming (o_2) as without (o_1)?
Perhaps you or someone else is a wine chemist, professional or amateur, and can enlighten me. Until that point, there are more things in heaven and Earth, dear dhsysusbsjsi, than are dreamt of in your philosophy.
https://regmedia.co.uk/2018/07/19/sadeghi_pinscreen_complain...
And take a look at that, the founder in question is the last author on this paper. And another member of Pinscreen is the first. I'm going to have fun replicating this one.
But I would guess bandwidth dwarfs storage costs here, so it does seem odd.
Very disinclined in actuality, since this is a company providing a service to people who have handed over custody of their personal data (It sounds like very high-value data! Cooking videos aren't easy to make!) under the assumption that they will get something out of the deal, i.e., the videos would be hosted and they would be warned if they were going to be deleted (or at least apologized to if they were deleted by accident and not lied to).
>>> If you can’t think of a reason that positively improves the world for us all, and all that you’ve got is “we should hold them up as an example for others to avoid”, this post already does so and without doxxing them.
Hmm, how about "we should hold them up as an example for users to avoid".
Doxxing doesn't exist for corporations, it only exists for individual people. The proper term of art here is whistleblowing or journalism. And the reason the author avoided mentioning the company name is probably to cover someone's ass who signed an NDA.
Intel stepping up the lane counts in HEDT is definitely a good reactionary move but won't affect the budget-constrained scenarios I discussed until a few years from now because you can just buy a couple generations back. I might be wrong but I believe many X299 chips before gen 9 had 16-24 lanes?
I also don't think your point about price difference insignificance is universally applicable because buying extra GPUs over time is quite common and having an extensible box with 1-2 GPUs at the start is potentially a good move. As for the PCIe switches on the X399 chipset IMO this depends on the assertion that 16x is X% better than 8x. This depends on use case and analysis of the penalty you get at 8x vary but many people would take a 10-15% penalty down the road @ 4 cards (really 5-7.5% because it only affects 2/4 cards) to save money now.
I built a box with Intel because I had the capital, and most people at an industry job probably should, but if you read forum and mailing list threads many people are faced with this economic decision and are going TR - I see quite a few academics doing this. Math libraries are a good thesis topic :)
Let's say you want to run 4 GPUs off your CPU for a powerful workstation or small server (e.g. for a research group). There's debate over whether you need to run cards in x8 or x16 mode for most deep learning applications, so let's say 8x as a conservative choice. That means you need 32 lanes (or 16 for just two cards). But your drive and other peripherals might take some lanes too. So 40 looks like a safer number. Easy enough to find that on a motherboard...
Most of the mid-high range Intel desktop CPUs only have 16 lanes total. Base model Threadripper (1900x) which is price-competitive with those has 64. You can go to Xeon but that (AFAIK) can be problematic in several ways for midrange or mixed use workstations (no integrated graphics, less mobo selection for the needed features).
I think this is pretty important. If enough researchers go to Ryzen then math libraries will get written there and the lead that libs like MKL provide could be nullified[0]. This will filter into the server market, where CPU is used even in deep learning production deployments (e.g. for inference servers). And having lower end processors is important because there are lots of independent researchers doing important work in the field who don't have huge budgets, as well as academics who can't get budget and might be spending out of pocket on their workstation.
[0] I'll admit I don't know enough about the math hardware in Ryzen vs Intel to say if this is possible.
- Constant store closures. Almost all Sundays and numerous holidays, almost all stores, including groceries, are closed. Don't forget to get milk or you have to trek to the central train station.
- Very bad international food. Even in major German cities, the food (outside of German, Middle Eastern, and some European cuisine) is simply not on par with places like the Bay Area or London.
- Less outwardness as a social norm. I am sure there will be debate over this. But I think many will agree it is hard to make friends with non-expats even when there is no or little language barrier, compared to many North American social contexts.
- Lots of bureaucracy and dependency trees of ID and permits, even for simple things like getting a train pass. As a reference, it costs 1500-2000 EUR to get a driver's license in Germany (including mandatory training classes), much higher than in the US or Canada. Also, there is a refugee crisis choking the German immigration system and it may take much longer than normal to get immigration-related matters sorted out.
- More public smoking, including on patios and inside bars and clubs. If you are sensitive to cigarette smoke don't plan to go to any nightclubs.
- Serious environmental policies, which would be admirable if it weren't for the Autobahn and all the coal that Germany burns. Have fun drying your sheets and towels on clotheslines in the middle of winter and don't expect AC during the summer.
Some of this is generic to Europe, much of it less true in Berlin than elsewhere, and there are lots of positives to Germany that have been mentioned in this thread. Good luck!
It isn't just "big money" saying this - ask any cool (poor) artists or curators if they like Banksy and you'll be laughed out of the room. He's the Nickelback of contemporary art. It's not because of his message - lots of other artists make biting, hilarious attacks on global capitalism and consumer culture, if that's what you're into.
Also, as others in this thread have pointed out, practices like this shredding don't actually devalue the piece, and may in fact increase it's value. The shredding is an empty gesture signifying the rejection of a culture that the piece is very much a part of. If a piece is just an investment vehicle, what effect does humiliating the owner of the piece have on the piece's function as an investment vehicle, if it does not lower the value? They (allegedly) own the art only for it's value, so how does this strike back at them?
If you want to look getting money out of art, you might start by looking at the early performance art tradition and what it achieved in terms of decommodification. Pay special attention to the amount of lying and inconsistent storytelling. Ask yourself whether "Exit Through The Gift Shop" (grossed 3MM in USA box office and set Banksy on the track to these $1mm sales) achieves any of the same decommodification.
While cross-domain sharing of insights and knowledge is commendable and important, I'm not sure why it would make sense for review to be outsourced to non-experts in the field, as you describe (even if the paper was "readable" the domain experts would presumably be the most able to evaluate a paper). Maybe one or two reviewers on a panel of many, but otherwise it makes very little sense. All of these suggestions essentially serve to slow down the research process and have benefits for a very small portion of the potential audience.
I think what is more valuable to opening academic research up is greater open education material, besides the traditional models of bachelor->masters->phd->postgrad, and more aggressively written textbooks that work on the cutting edge of the field (with appropriate disclaimers).
Oh, and big disclaimer: tons of papers are badly written. That doesn't affect any of these points.
Then you can start throwing in the inflated costs due to the American insurance system, the higher liability hospitals have compared to hotels, and other factors. I'm sure people more familiar with the medical profession could add even more exacerbating factors that I don't know about. All of this isn't to say that the hospital or healthcare system isn't inefficient, but simply that hospitals and hotels are apples and oranges.
some computer and printer somewhere can easily reproduce the piece if I ever need it again [...] well-defined manufacturing cost
This is not as straightforward as some might think! Some people agree with you. Some don't. "Fake" is a spectrum as well. Is it a reproduction of an original work, or an original work falsely attributed to a particular artist? In the second case, if the quality is high and scholarship has emerged around that work, is it "less valuable" to own after it is revealed as fake (for one individual, not at market prices) or is it in a sense more interesting? Is it perpetrated to be real or simply a print? Even if it's an authentic creation of the artist, was the work been authorized outside of their canon in a less official way? What about photographs, and later editions of them (by either the artist themselves, their estate or family, a dealer, etc)? Check out Richard Prince and his "decertifications" of paintings.Startups offering blockchain solutions to this landscape, of course, are emerging. But they face the same problem everyone does in that market: how can physical assets, and their movements, be indisputably registered to a blockchain?
I mean, you're entitled to do whatever you'd like. But do you see the potential valuations being tossed around? "Drew" is worth tens to hundreds of millions.
I just have no idea why someone would find it not only worth it to take money out of their own pocket to further a corporation that has no need for the empathy we would normally afford to people (or small businesses, which "round down" to individual people or small groups), but would actually see value in sharing this thought process with everyone else. It's not like using a "deal" is unethical or illegal (like, say, piracy), the company in question (or a reseller taking the hit) offered it. Is this some kind of silicon valley flavor of virtue signaling?
If dropbox was a startup with 8 employees, especially one that didn't offer the near-commodity service (yes, I know UX etc matter here) that dropbox does, I would understand this. But that's so far from the case
$$$ - A.P.C.
$$ - Naked and Famous, Muji
$ - Uniqlo U line
I'm a former student at a school functionally identical (and in many, many ways culturally similar) to Columbia. Aside from my professional-focused studies related to topics many HN readers would be familiar with, I'm a serious philosophy student. I've taken classes in both of these academic categories within philosophy that the author seems to be outlining. For what it's worth, I do not fit the political or demographic mold of a person who would stereotypically pursue the "progressive" branches of philosophy being discussed and in many cases criticized here.
There are many classes with different teaching styles. Some present material as dogma without affording critique, as in the feminist theory class the author described. This is bad teaching, it is possibly even more common in classes on feminist and similar theory. It's there in other areas of philosophy, including mind-focused and analytic topics, but harder to encounter until you're already deep in academia. I promise that there are Plato scholars who act just as the professor in the article did.
There are those here that feel feminist, queer, and race-driven theory is not serious "philosophy" or who will reduce it to cultural marxist or similar terms. This is intellectually dishonest, and probably driven by odious people you've met that espouse beliefs along the lines of Foucault or the Frankfurt School. Yes, Foucault's supporters can be extremely annoying and unreasonable. But there are real insights in many progressive philosophical works, some of them evoking striking and existential moments of reflection, and proposing new ways to live and see the world.
I urge readers here to attempt to look past the frustrations they might have with feminists or progressives and try to find something valuable in these works, because it really is there. I.e., when you hear people talk about things like abolishing the police or that all women or people of colour are violently oppressed, try not to react immediately to these phrases and see what is really being said. Philosophy is often about getting to the very root meaning of a term, or making subtle distinctions, or creating technical terms out of everyday language. You may find that the people who have annoyed you have bastardized the philosophers they espouse, or have at least failed to communicate the meat of their work.
The NYT has lost a great deal of trust from it's readers in recent years, including those of various political and social leanings. Many opposed to the growth of populist, right-wing movements in the US (and to a degree abroad) see the NYT as emblematic of a news media more interested in humanistically profiling far-right extremists, including self-avowed white nationalists, than in highlighting their evils. They also find the NYT to be a major nexus of sensationalist coverage of the Trump presidential campaign and administration, distracting from balanced and substantial coverage of the race in favor of an obsession with email scandals and essentially unimportant (but amusing or provocative) actions by Trump and his entourage. On the other side of the American political divide, many have found the 'failing' NYT to be unrepresentative of their experiences as Americans, and have begun to dismiss it's coverage as partisan and often distorted. The paper's attempts to introduce balanced coverage, especially in the editorial pages, has been met with vitriol from both liberals and conservatives. Outside of partisan politics, coverage of issues like the Las Vegas massacre have been criticized by many as sensationalizing the attack and encouraging copycats, including by academics. When the most venerated news institution in the United States cannot heed what is increasingly accepted in academia and abroad as responsible reporting procedures for mass attacks, it is concerning.
Journalism need not be free to consumers, and I personally believe it would be better off as a directly subscribed medium with little to no ad support. But this does not seem an appropriate or strategic time for a newspaper that desperately needs to rebuild its trust with readers (especially with young millennials) to ask for more subscription dollars. I have heard of many people who have cancelled or allowed to lapse subscriptions to the NYT (subscriptions I was surprised to learn they had) over the issues I've mentioned. Subscription volume may be up, but I suspect deeper trends in subscriber and nonsubscriber perceptions are at work and this change will damage the NYT in the long run. Of course, this is a fragile time for news media, especially print, and it is not surprising to see a paper opting for short-term earnings.
Hi, I understand what you are trying to say here, but please consider investigating the world of apparel a little more deeply before making comments like this. H&M and similar fast-fashion companies are deeply involved in practices like blatant, continued design piracy from both famous and small, independent designers; as well as unsafe and exploitative labour practices, including in third-world countries. In addition, the clothes these stores produce are not very high quality and tend to degrade quickly, making them only useful for staying up-to-date with trends pioneered by the designers fast fashion brands mimic.
Ethically designed and manufactured clothing that is of good value (ie lasts long) costs money to produce. $300 for a pair of jeans is very high, yes, but H&M is not the alternative I would recommend. I would also say that many people "with style" can easily and in fact viscerally tell the difference between a pair of H&M jeans and a higher-quality pair, and would not balk at paying that price for a piece of clothing, especially for a wardrobe staple like jeans. It is not a "nouveau riche" affectation as much as an appreciation for artistic vision, design, and craftsmanship. Of course personal income is a factor here and I'm not suggesting everyone should be paying that much for all the clothing they own.
If you're interested in learning more about these topics, I recommend reading publications like WWD, The Business of Fashion, or The Fashion Law (though I am not vouching for their reporting and editorial stances in all cases). Consumer awareness of the nature of fast fashion is the only way I see for the fashion industry to move forward from these issues.