30 karma · joined May 19, 2022
In this instance, the risks to be worried about is far more than just cancer. And it isn't exactly comparable to a career in a vinyl chloride factory because factories don't typically have these production chemicals ablaze and mixed with whatever else was in the train wreckage, seeping into the surrounding earth, water and air. Before even speculating on the undetermined adverse health effects of this event in the long term, the immediate impact of this environmental disaster should warrant a mandatory evacuation and corporate accountability.
How much has this project developed since 2014? Can regular people download the tools to play around with it yet? Would love to see it try to get glitchy for creative purposes.
I think autotune and Top 40 charts are too often used as a scapegoat by people that simply became too lazy to seek out stuff on their own without first being filtered through a marketing campaign. The radio or the front page of any given streaming service is designed to appeal to the mass audience, so why would you be surprised as a fan of more outsider sensibilities when it doesn’t immediately represent your niche tastes? You’d be more likely to find that type of stuff in a music store, printed review, or some random blog not too long ago. Now, that may as well be discogs or wikipedia, and the internet is much more powerful today as a resource than the record store of old. I feel like many people are more bitter over their music taste not being socially validated by the mainstream rather than just enjoying what they like and being content with the circumstance that it’s “not for everybody.” TBH I feel like it’s more desirable as an artist to have a dedicated following of fewer number than being one that’s involuntarily shoved down everyone’s throat. Most modern pop and rap is as ubiquitous as it is because of enormous label astroturfing and marketing, just as genres like New Jack Swing or Nu-Metal or whatever was dominating MTV back when that was a 'relevant' source of music discovery. It's always been commercial! So it doesn't do much good to bemoan the corporate machine's aggressive shoveling of its corporate properties, just tailor your sources of discovery to places that better suit your interests if the lowest effort option isn't doing it for you.
To me, people that have a chip on their shoulder about autotune are frankly just projecting some other abstract frustrations and nostalgia over a nonexistent time where all music culture was contained to TV and radio. It wasn’t! Do some old fashioned digging and go deeper than just the surface, you’ll find plenty of good new stuff and a thriving music community if you actually try.
I think anyone could likely find a trove of new (to you, at least) content by simply digging a bit outside of their comfort zone to try genres that are totally alien to your ears, like Avant Garde Jazz or Krautrock or Experimental music, just for example. Or by finding a genre you know you like, then exploring the likely myriad subgenres which emerged years later or are developing right now under its influence. A lot of the most satisfying things in life won't be fed to you, so the most important thing is to just keep an open mind and appreciate that although certain things may not click right away, it may not be worth writing off entirely. An important aspect of appreciating contemporary music is being aware of the cultural canon from which it was born and finds itself released within. I find that being able to connect some dots in one way or another between older and more contemporary artists/releases/genres will yield a greater appreciation of what's happening today. Applies to all forms of art, really.