79 karma · joined April 19, 2014
- get a dawn simulation device (doesn't work on its own, but still helps waking up more gently) // the more powerful/lumen, the better
- likewise for audio: volume going up slowly (I use AlarmDroid), for this, use a gentle non-continuous sound (knock knock, pause, knock knock, pause) the idea is that a continuous sound is too much annoying, forces you to go turn it off asap and go back to sleep. You may use a more brutal sound for your real wake-up time (so, at the end of the dawn simulation), the idea is that you'll have a gentle alarm beforehand and hopefully fear the brutal alarm and just get into a habit of getting up before the brutal alarm.
- best for the end: padlock your alarm in a solid case, and put the key in your mailbox the night before (hopefully not too close to your bedroom, in my case, I may meet neighbors, so it forces me to fully clothes on). A key-less alarm at the other side of the rooms does NOT work and you will just get up, shut it down and go back to sleep.
- bonus : use a very bright light (at least 5000+ lumen) on a programmable plug for the end of the dawn simulation (or just get a really powerful dawn simulation one, not sure if that exists though)
edit: added bonus
edit2: everyone is different, I just wanted to add my part to the overall list of ideas, please check out all the other comments, different stuff works for different people! (the coffee one sounds interesting, I would have tried it if I was a coffee drinker)
edit3: This should be common sense, but please don't use this as a way to sleep less. I use this because even when I sleep a fair amount (9+ hours for multiple days, I still struggle to wake up).
That said, even if the tool doesn't help for the musical earing directly, it can still help to correct the position of your fingers, and that's very important for muscle memory. So instead of training for hours on the wrong finger position because I don't have a musical ear, I can correct myself and properly train my muscle memory correctly.
Well, you're very lucky to have a relative pitch, I think you can still train for it as an adult, but it may require more time and still might not be possible for everyone. Don't take my word for it thought, I don't recall any solid research on the subject.
I only tested it on Win7 and had a friend test it on Win8 and Win10.
Getting some subscribers is very important to me because I make this tool in my free time, and the only way I can justify spending more time on it is if I have some users who care about the tool. If I shall burn in hell for this, then so be it.
I don't aim to be the best at frequency analysis. My goal is to help beginner musicians to get more confidence about their pitch accuracy.
Also, no Windows binaries available? I understand it's open-source, but that's not very user-friendly imo.
Just-intonation and other tunings will be my top priority, there was a lot of demand for it in the violonist reddit.
Tune1 = C D F A G C
Tune2 = C F D A G C
How can you tell which (if any) is wrong or not and how?
This sounds more like a melodic/scale test, not a pitch test, I was excepting it would ask something more like whether the instrument is well-tuned or whether a fretless instrument plays correctly.
For the curious, I've analyzed the first 5 songs with a program I'm developing, using the default C Major scale, here's the result : http://imgur.com/a/yx2H9 (I guess you could do it with something like Melodyne too).
EDIT: nevermind, this is just a cultural/memory test. You are supposed to know the tunes in advance and see if there is any « diff » with what you hear, melody-wise.
EDIT2: 21/26, I only knew more or less half of the songs, and knew well like a third. I Guess I have either poor culture or poor hear (or a little bit of both, we'll never know).
[1] https://github.com/andrewrk/libsoundio/wiki/libsoundio-vs-Po...
You could also mitigate the ROI by learning both the guitar to get your quick ROI boost, while learning the cello when you want to get serious (not that you can't get serious on the guitar, but you might like the cello better and want to get serious on it instead).
While this is pretty much a goldmine of information, one thing I would advise of being careful about is about this « My practice hours are divided about equally between works from the standard cello literature and highly focused mechanical exercises ».
While I'm sure it's the the best solution if your only goal is to get better, it is not a format I would suggest for everyone. I for one would have been so bored if I had to to this that I probably would have quit. What I'm doing is about 1/3 practicing scores with sheets, 1/3 mechanical exercises and scales and 1/3 improvisation and just fun (which is very important to me for keeping the motivation to go on, and I guess it could apply to other people). Just for the record, I started playing violin at 24, a bit over one year ago (first instrument), so obviously I can only say that as a total newbie, just keep in mind though (:
In our modern world however, really useful stuff is done by robots or a tiny part of the population. Thus you have to find meaning on your own and that can be quite difficult.