269 karma · joined October 21, 2017
Another less expensive alternative, and more similar in design and feature to the Tascam offerings, would be the Yamaha MT4X and MT8X. The latter having an 8 channel mixer. Of course these still record down to only 4 channels on the tape.
There’s also the Yamaha MD8 digital minidisc recorder with an 8 channel mixer, if you’re feeling adventurous.
So much amazing dedicated audio recording gear came out in the 90s.
Yamaha had a smaller competing series of digital multi-track recorders around that time. The AW4416 being the last one made, and the AW1600 before that. I know little about their usage but I am a big fan of the Yamaha O2R and DM1000/2000 digital mixers from that time period.
This era of digital recording tech really deserves a blog post or YouTube video going into the history and development. Perhaps this is a long shot but I’d love to hear from anyone that may have worked on those series of hardware products, about the dev process and the technologies involved in creating the hardware and software.
Everything is represented as blocks of samples on rows of timelines which are then effected by transforms placed on the rows above the rows containing samples. Edits and transform adjustments all happen in real time, and everything is continuously rendered to a scratch buffer that can also be dragged in to the project as a new block of samples.
It is truly a very creative approach and when you see it you will be wondering why nobody tried this approach before. The developer, Colugo, has a new video on YouTube showing how it’s main features work.
The tricky part for me was figuring out that I had to switch the shell to x86_64 to run the compiler tools for the Intel build, after running the compiler for the Apple Silicon build under an arm64 shell.
Since OBS Classic is now gone, I’d recommended anyone interested in programming video, audio and cross platform native apps to read through the current OBS Studio code base on GitHub.
You can find older used HD resolution Axis cams fairly inexpensively on eBay. They have a lot of different chassis/lens configurations and a lot model numbers so some research might be required to find the right camera configuration for your desired use case, especially if searching through the used market for models that have been discontinued by Axis.
Our first Instant Pot unit had a faulty pressure release seal in the lid and so Insta replaced and shipped a brand new lid to us free of charge.
They do cost a little bit more than the Plantower units, about $30-40USD. For anyone looking at the Sensirion sensors, be aware that the SEN5x products span a range, and only the SEN55 has all of the above sensors in one unit. I’ve found the Sensirion software to be pretty nice to work with. I was able to port their embedded i2c example repo to ESP32 with little trouble.
The landscape of capture cards (not just SDI) is pretty diverse. It all depends on the kind of workflow you’re dealing with. Live productions in particular will often demand many connections, to be able to capture multiple camera angles, as well as to output to confidence monitors and/or backup recording devices, frame syncs, switchers, SDI routers and more.
https://www.ibm.com/plex/ https://github.com/IBM/plex
On another note, are there any notable examples of AI-generated mono-spaced programmer fonts?
I’ve managed to make the 4 LEDs on my Digilent Arty board ping-pong back and forth like the power indicator on the Nintendo Switch Joy-Con controllers, debounce the buttons and switches and set up clock division to produce different frequencies from the hardware clock. That’s taken me a handful of days in my spare time.