Ptyx

NASA-engineer Paul R. Hill has written about "UFO-illumination":

http://orbwatch.com/paulrhill.html

https://en.wikipedia.org/wiki/Paul_R._Hill

Reminds me that Kierkegaard has written about Google:

"A revolutionary age is an age of action; ours is the age of advertisement and publicity. In the present age a rebellion is, of all things, the most unthinkable. Such an expression of strength would seem ridiculous to the calculating intelligence of our times. On the other hand a political virtuoso might bring off a feat almost as remarkable. He might write a manifesto suggesting a general assembly at which people should decide upon a rebellion, and it would be so carefully worded that even the censor would let it pass. At the meeting itself he would be able to create the impression that his audience had rebelled, after which they would all go quietly home – having spent a very pleasant evening."

It's a quote I read in German translated here via DeepL with slight changes. Seems like it is part of this work from 1851:

https://en.wikipedia.org/wiki/For_Self-Examination

From this chapter:

http://gutenberg.spiegel.de/buch/zur-selbstprufung-der-gegen...

Couldn't immediately find an English version of the text.

Reminds me that Kierkegaard seems to have written about social media:

"Man, this shrewd being, ponders day and night how he can invent new means to amplify the noise and how he can spread the sound and the empty talk as hastily as possible everywhere. What one achieves in such a way is probably soon the opposite: the message is soon brought to its lowest level of fullness of meaning, and at the same time, conversely, the means of communication in the direction of hasty and all-flooding distribution have probably reached their maximum, for what is more hastily circulated than gossip?"

What about Waiting for Godot? The play in which nothing happens, two times.

There's a lot of architecture in Shakespeare. The non-Aristotelian structure of his plays, the highly stylized language, the iambic pentameter, the stage directions. You could endlessly examine the structural characteristics of his works.

The list obviously plays with leaving things vague, ambiguous, uncertain. It's funny how this seems to enrage certain people.

Nietzsche wrote about slow reading:

"Philologie nämlich ist jene ehrwürdige Kunst, welche von ihrem Verehrer vor allem eins heischt, beiseite gehn, sich Zeit lassen, still werden, langsam werden –, als eine Goldschmiedekunst und -kennerschaft des Wortes, die lauter feine vorsichtige Arbeit abzutun hat und nichts erreicht, wenn sie es nicht lento erreicht. Gerade damit aber ist sie heute nötiger als je, gerade dadurch zieht sie und bezaubert sie uns am stärksten, mitten in einem Zeitalter der »Arbeit«, will sagen: der Hast, der unanständigen und schwitzenden Eilfertigkeit, das mit allem gleich »fertig werden« will, auch mit jedem alten und neuen Buche: – sie selbst wird nicht so leicht irgend womit fertig, sie lehrt gut lesen, das heißt langsam, tief, rück- und vorsichtig, mit Hintergedanken mit offengelassenen Türen, mit zarten Fingern und Augen lesen... Meine geduldigen Freunde, dies Buch wünscht sich nur vollkommne Leser und Philologen: lernt mich gut lesen!"

"Philology is that venerable art which demands of its votaries one thing above all: to go aside, to take time, to become still, to become slow – it is a goldsmith's art and connoisseurship of the word which has nothing but delicate, cautious work to do and achieves nothing if it does not achieve it lento. But for precisely this reason it is more necessary than ever today, by precisely this means does it entice and enchant us the most, in the midst of an age of 'work', that is to say, of hurry, of indecent and perspiring haste, which wants to 'get everything done' at once, including every old or new book: this art does not so easily get anything done, it teaches to read well, that is to say, to read slowly, deeply, looking cautiously before and aft, with reservations, with doors left open, with delicate eyes and fingers . . . My patient friends, this book desires for itself only perfect readers and philologists: learn to read me well!"

"The value of philosophy is, in fact, to be sought largely in its very uncertainty. The man who has no tincture of philosophy goes through life imprisoned in the prejudices derived from common sense, from the habitual beliefs of his age or his nation, and from convictions which have grown up in his mind without the co-operation or consent of his deliberate reason. To such a man the world tends to become definite, finite, obvious; common objects rouse no questions, and unfamiliar possibilities are contemptuously rejected. As soon as we begin to philosophize, on the contrary, we find, as we saw in our opening chapters, that even the most everyday things lead to problems to which only very incomplete answers can be given. Philosophy, though unable to tell us with certainty what is the true answer to the doubts which it raises, is able to suggest many possibilities which enlarge our thoughts and free them from the tyranny of custom. Thus, while diminishing our feeling of certainty as to what things are, it greatly increases our knowledge as to what they may be; it removes the somewhat arrogant dogmatism of those who have never travelled into the region of liberating doubt, and it keeps alive our sense of wonder by showing familiar things in an unfamiliar aspect."

Bertrand Russell

"One can be a lover of Space and its possibilities: take, for example, speed, the smoothness and sword-swish of speed; the aquiline glory of ruling velocity; the joy cry of the curve; and one can be an amateur of Time, an epicure of duration. I delight sensually in Time, in its stuff and spread, in the fall of its folds, in the very impalpability of its grayish gauze, in the coolness of its continuum. I wish to do something about it; to indulge in a simulacrum of possession. I am aware that all who have tried to reach the charmed castle have got lost in obscurity or have bogged down in Space."