693 karma · joined November 9, 2015
It has extremely impressive output for a music generator, and it is very fun to play with - but people will always want to hear something new, and something real.
I don't think that music fans are going to connect with completely AI-generated music without a real personality and story behind it - and good, original music will always be more impressive to people and likely more successful than an AI-generated amalgamation of what already exists.
I am being moved to the team that builds the cheap dashboards (I'm not happy about it). Among all the prototype work I did, only one significant project has made it into production - the others were continually iterated on for a couple of years, and though some of them have a highly engaged and appreciative beta userbase within the company, I am not allowed to do much more development on them, and they will be taken out of my hands at some point and passed off to other teams.
My question is - why? Isn't raising fast food prices so much to increase short-term profits an incredibly poor business decision? A major part of the appeal of fast food is low cost. If people fall out of the habit of going to McDonald's, Starbucks, etc. - which they will when they realize they can get higher-quality food/coffee/whatever at a local business for a lower cost - then I think it would be extremely difficult for these chains to win back their business.
Apple typically productizes mature technology and ensures that its products are designed well. Tesla is an early adopter and productizes immature technology which it overhypes and overpromises on (e.g. self-driving).
Apple's manufacturing quality control and attention to detail is also generally pretty impressive. Tesla products looks impressive on the outside but feel cheap on the inside, and there are a lot of issues with the quality of manufacturing. Apple uses nice materials and Tesla uses cheap materials.
Apple making a car always struck me as weird, though.
I would argue BMW or Mercedes are much closer to being the Apple of cars - they aren't early adopters of new technology, and their products are immaculately designed (though using a much different design language than Apple does) and are and feel expensive, unlike Tesla's cars, which look nice but feel like toys.
The generated videos are aesthetically horrendous. I don't know what kind of mental gymnastics are going on that they can confidently describe something where the body shapes are nonsensically in flux with every change of frame (look at the eagle's talons, or the dog's leg movements as it runs) as "high-quality video".
Is generative AI hype blinding them to how hideous these videos are, or do they know and they just pretend like it's something it isn't?
Trade-offs indeed.
I don't think anybody is proposing prescribing marijuana to children and forcing them into a lifelong dependency on it. If Adderall is just available, sure, whatever - but a lot of current users of it were initially forced into it without a clear understanding of the consequences.
Employees are justified in complaining about mandatory RTO - it presents a significant impediment to work-life balance and demands extra time, money, and energy from employees while giving almost nothing of value in return and providing questionable value to the company.
While music companies are certainly spending big on old publishing catalogs, the second statement here is fact-free. Investment in new artists still represents a very substantial portion of the big three record labels' budgets, and is very much still viewed by execs as the most important part of the business.
I'd like to add that the most significant innovations in popular music have not been a result of record label investment but rather of grassroots creative work by individual people and communities, largely unpaid (and thanks to technological innovations and new instruments more than anything the labels themselves do) - the record labels just pick people out of a preexisting music culture and turn them into stars and brands. The labels are ultimately not the driving force behind musical innovation, so this article comes across as unnecessarily alarmist.
Cmd/ctrl+f "colonial penetration" for a brief overview of the subject.
Not sure why so many people here seem to think the historical source of much of France's uranium is irrelevant - people in Niger are still paying the cost of long-term uranium exposure.
I fail to see how my "original premise was called out" or how I "moved my goalposts", but great job defending neocolonialism online - you really owned me!