11,882 karma · joined March 11, 2009
People of Raskin's vintage had a very humanist approach to computing. The mentality was very much an outgrowth of the cultural revolution of the 60s. Computer usage should be joyful rather than toiling. The computer should help you. It should make you feel good about what you create.
That stands in stark contrast today, where things are more hostile. Not just in terms of "Dark patterns", or writing off user needs for the sake of expediency... but even the way we talk about technology today. You need to use X, do Y or you're "not going to make it" / "escape the permanent underclass". It's bleak.
I recently restored a vintage Macintosh SE I picked up at VCF Midwest and despite its limitations that machine was an absolute JOY to use despite its limitations and nearly 40 years of age. This was a machine and software designed by Raskin's contemporaries and it shows.
Unfortunately, looking back, I could easily see Claude replacing 3 out of 4 of those developers. Myself + one other dev + AI would probably would've shipped a bit more a little faster. With that said tokens aren't free so the net cost savings would've been 2 dev salaries maximum.
This is one of those things where a (tech) celebrity founder was permitted to blew up a high-performing engineering culture. If shareholders knew the nuances of this they'd demand his ouster. His leadership has been lacking in merit, excellence, and intelligence.
The EDA space doesn't strike me as being anywhere near as SWE when it comes to AI.
I'm familiar with this stereotype but two things:
1) Based on the data I've seen, a higher percentage of a boutique brand's guitars are purchased by working musicians than the mainstream brands. They're such a small segment of the market however those musicians seem rare by comparison.
2) Hobbyists, across all income levels, are responsible for the vast majority of gear sold. The working musician is really just collecting the "discount" from economies of scale afforded by this phenomena.
If Fender gets the industry to capitulate and abandon its shapes, there's a very real chance it does long-term reputational damage to the brand. Not due to lawsuit outrage but due to something much simpler: consumers and musicians no longer associating new production S-style guitars as great electric guitars. Today, the boutique builders Fender is suing do quite a bit to uphold the reputation of those shapes. Without them they're just designs of a legacy brand that mostly sells mid-market import guitars.
[1] That possible exception are Masterbuilt-tier instruments made by Fender's Custom Shop https://www.fender.com/pages/custom-shop The wait time is several months and the price starts around $8K USD and quickly pushes into 5 figures.
The only real risk is that today there's an expectation from employers that you've got some AI experience under your belt you can articulate. But you can get that experience today.