8,675 karma · joined November 27, 2015
* Blog: https://undeleted.ronsor.com
* Projects: https://gpu.st - https://sakura2d.org
* Email: "ronsor" + chr(64) + "ronsor.com"
* NetOps: I run AS211233. Try me: `ping6 2a0a:6040:8e00::1`.
ronsor.at.hn
Only one remains at OpenAI.
But the reason people say "Claude can't compete" is because Claude Opus has been going downhill since 4.7, and many have found Opus 5 intolerable. Fable is much better, but also much more expensive than OpenAI's offerings.
On the other hand, the Internet Archive is a non-profit offering a free public resource.
"Sell company now and it's worth more a decade later" is the entire point; acquisitions are an investment and the investment is supposed to appreciate.
SMM firmware can interrupt any time for whatever reason, meaning even a plain, unoptimized assembly program can have unpredictable latency.
Ultimately I think artificial scarcity/limited production for products offered online is a futile and erroneous venture. The bots exist because the product is valuable. The product is valuable because it's artificially limited.
Besides, true ZDR is usually offered by third-parties with deals to host OpenAI models, such as Amazon (AWS Bedrock) and Microsoft (Azure).
Someone with that lab could almost certainly figure out how do something stupid or destructive on their own, or bypass model safeguards somehow.
On the other hand, Disney's success is largely owed to public domain adaptations, and for a century, it did its best to shrink the public domain and expand copyright.
In some situations it's the only way to get a decent download speed.
"Computer says no."