There's been years of discussion about ways to fix it with nothing moving forward.
https://gitlab.com/gitlab-org/gitlab/-/issues/263401
And the most recent tracking issue:
715 karma · joined November 11, 2010
There's been years of discussion about ways to fix it with nothing moving forward.
https://gitlab.com/gitlab-org/gitlab/-/issues/263401
And the most recent tracking issue:
> If you are using them once heated, this is not always as true (and regulations vary a bit), but if we are talking about food prep/salad/you name it, they are all safe.
I think there's a trivial answer which is that all things you encounter are fundamentally from an alien context. The degree of alien and intention of the action are the things to consider before proceeding.
For example, why would one choose to read the account of a survivor of tragedy? To develop some amount of (emotional or cognitive) empathy? To learn a broader way of thinking that could apply to a future situation? Most simply: to learn from the past.
If the goal is entertainment, evaluate your participation such that you maximize your utility. If the goal is learning, one should be wary of premature rejection without sufficient context to avoid missing the lesson. And there is an annoying reality in which most situations can teach something.
Is the complaint about the dictionary at the end because it wasn't comprehensive? I'm unreasonably curious about the book and which phrases were included and which were not.
I think all written works occur in a context that should be taken into account when thinking critically about them. That context is temporal and linguistic and is more apparent when you consider something like Beowulf in Old English or The Canterbury Tales in Middle English. Understanding it requires either a modern reinterpretation or consideration given to the sociolinguistic context in which it was written.
[1] https://www.goodreads.com/list/show/180823.Novels_with_Gloss...
https://en.wikipedia.org/wiki/LXR_Cross_Referencer
which when I started working with Linux was a great asset. At some point it seems it inspired a reimplementation in Python:
In a newspaper if I skip over ads with my eyes do you think I've marginalized/pirated/stolen from the business that paid for the ad? They paid for placement and not an impression. I'd argue that if YouTube presents the ad and my browser/app/whatever skips it then YouTube satisfied its obligation and that's where it ends. The advertiser, knowing full well the limitations of the access mechanism, made a choice to throw money into this version of the attention economy. It's obviously worth it to them or they wouldn't do it, or haven't made as careful of an economic decision as I would imagine I suppose.
[1] https://www.nyu.edu/about/news-publications/news/2024/novemb...
It seems unlikely that in that time frame it would have been a 5 digit purchase. It still may have been a significant proportion of liquid cash or net worth though. I think it'd be an interesting detail to have too.
https://github.com/torvalds/linux/blob/v6.17/fs/binfmt_scrip...
I think it makes it to calling open_exec but there's a test for BINPRM_FLAGS_PATH_INACCESSIBLE, which doesn't seem relevant since 'bash' isn't like '/dev/fd/<fd>/..', but does provoke an ENOENT.
https://github.com/torvalds/linux/blob/v6.17/fs/exec.c#L1445
Maybe someone else can explain it, I'd enjoy the details, and ran out of steam.
[1] https://sourceforge.net/p/zsh/code/ci/29ed6c7e3ab32da20f528a...
[2] https://sourceforge.net/p/zsh/code/ci/29ed6c7e3ab32da20f528a...
I was glad to read this because it seemed too neat and tidy for "thought" to necessarily be able to be encoded into language, especially in the presence of frequent miscommunication between people that share language, culture, and context.
On language and thinking, I agree that new languages promote thinking differently. But it seems that the difference has to fall short of the Sapir-Whorf hypothesis of informing perception or experience. Which would then limit the extent to which thought, as informed by language, would influence the way one would compose a linguistic representation of some thought/idea/"blob of meaning to be communicated." All to suggest that there is a broader landscape of "thinking-like activities" than those which would be able to be encoded linguistically.
Maybe it's simpler to say that I think of language as more lossy than thought.
Wouldn't cranberry morphemes be good examples this type of relationship? I don't know if, in the eponymous example, the cran- being bound precludes it from being counted as a closed compound word or not though.
https://web.archive.org/web/20251111071832/https://www.bwplo...
Which loses fidelity in your raster format screenshot world. Alternatively, when text is presented as text, a user can scale it independently for readability. Or as another commenter pointed out, use a screen reader.
You focus on a kind of permissions or network limitation technical access, between the computers in the system, but don't seem to appreciate another very real type of technical access between the user and the leaf computer in the system.
I agree with that. The article's quote from Pixar's "Making The Cut at Pixar" book was that the technology wasn't there (computer chips fast enough, storage media large enough, compression sophisticated enough) and I--along with the comment I replied to--disagree with that conclusion.
https://davidsimon.com/the-wire-hd-with-videos/
It seems like the video examples are unfortunately now unavailable, but the discussion is still interesting and it's neat to see the creative trade-offs and constraints in the process. I think those nuances help evoke generosity in how one approaches re-releases or other versions or cuts of a piece of media.
> Their system was fairly straightforward. Every frame of Toy Story’s negative was exposed, three times, in front of a CRT screen that displayed the movie.
While I have no doubt that this hadn't been done at the scale and resolution, it struck me that I'd heard about this concept in a podcast episode [1] in which very early (1964) computer animation was discussed alongside the SC4020 microfilm printer that used a Charactron CRT which could display text for exposure to film or plot lines.
[1] https://adventofcomputing.libsyn.com/episode-88-beflix-early...