742 karma · joined June 22, 2009
In a religious ceremony you're married in the eyes of your god, and states don't have to recognize it.
They serve a different purpose, and it makes no sense for a social contract in one community to carry weight in the other.
edit: slightly rephrased.
From that article I get the impression that the $100 million refers to all money paid during the existance of Bandcamp, while I suppose the 15B is annual? The article says that Bandcamp has revenue of $3.5 million a month (= $42 million a year), most of which goes to artists.
[1] http://www.forbes.com/sites/hughmcintyre/2015/03/10/direct-t...
It's not exactly a masterwork of UI design, but for those who like ww2 photos it might be interesting.
Not that much destruction though.
3 law, doctor
2 law, master
2 law, candidate (~bachelor)
1 agriculture, doctor
1 social sciences, doctor
1 none, farmer + bank manager
1 military, field marshal
1 teacher (primary school)Nordic countries also have their own passport union, so a Finnish passport, for example, will let you go and work in Iceland or Norway pretty freely.
I would imagine there are be some other regions that have similiar agreements. I think that the Commonwealth at least used to have some benefits for its citizens, but I'm not sure how much of those remain.
[1] http://www.citizensinformation.ie/en/moving_country/moving_a...
https://en.wikipedia.org/wiki/Soviet_art
> However, art exhibitions of 1935–1960 disprove the claims that artistic life of the period was suppressed by the ideology and artists submitted entirely to what was then called ‘social order’. A great number of landscapes, portraits, genre paintings and studies exhibited at the time pursued purely technical purposes and were thus free from any ideology. Thematic painting was also approached in a similar way
> ...
> The death of Joseph Stalin in 1953, and Nikita Khrushchev's Thaw, paved the way for a wave of liberalization in the arts throughout the Soviet Union. Although no official change in policy took place, artists began to feel free to experiment in their work, with considerably less fear of repercussions than during the Stalinist period.
> ...
> The most infamous incident regarding nonconformist artists in the former Soviet Union was the 1974 Bulldozer Exhibition, which took place in a park just outside of Moscow, and included work by such artists as Oscar Rabin, Komar and Melamid, Alexandr Zhdanov, Nikolai Smoliakov and Leonid Sokov. The artists involved had written to the authorities for permission to hold the exhibition but received no answer to their request. They decided to go ahead with the exhibition anyway, which consisted solely of unofficial works of art that did not fit into the rubric of Socialist Realism. The KGB put an end to the exhibition just hours after it opened by bringing in bulldozers to completely destroy all of the artworks present. Fortunately for the artists, the foreign press had been there to witness the event. The world-wide coverage of it forced the authorities to permit an exhibition of Nonconformist Art two weeks later in Izmailovsky Park in Moscow.
> ...
> By the 1980s, Mikhail Gorbachev's policies of Perestroika and Glasnost made it virtually impossible for the authorities to place restrictions on artists or their freedom of expression. With the collapse of the Soviet Union, the new market economy enabled the development of a gallery system, which meant that artists no longer had to be employed by the state, and could create work according to their own tastes, as well as the tastes of their private patrons. Consequently, after around 1986 the phenomenon of Nonconformist Art in the Soviet Union ceased to exist.
So is saying that the rules can be broken because there are no parties who would remove them. European democracies generally allow people to form new parties, and I don't belive Portugal is an exception. If the population was pro free market, there would be parties that are pro free market. If there are no such parties, that is because the population doesn't support that idea.
The thing that makes Finnish alphabet very easy, is that every character corresponds to one sound (with the exception of "c", which can be either "k" or "s", but it isn't actually used in Finnish (it just exists for legacy and compatibility with Swedish)) and vice versa (with the exceptions of "w=v" and "å=o", but, again, they're not used in Finnish)
That is, a character will always sound the same, regardless of what is around it. There are no silent letters. No things like "ea -> ee" or "ph -> f" (if you write two different characters, you also pronounce two different sounds). No single vowels that randomly became long vowels (like English "ski -> skee" rather than "sky").
[1] in finnish: http://nyt.fi/a1305943609673
- never, if the maximum sentence would be life
- 20 years, if the max is more than 8 years
- 10 years, if the max is 2-8 years
- 5 years, if the max is 1-2 years
- 2 years, if the max is less than 1 year or a fine
- if the crime was a "serious sexual crime
against a child" it will expire at earliest
when the victim turns 28I took a look at a few of the top articles on Helsinki times right now (yes, those don't represent the spoken language very well, but I doubt it matters for this purpose) and some of their top comments. In the articles themselves almost every instance of "hän" (=he/she) referred to someone who had been described or named in the previous sentence. Only in one occasion the person was named in the previous paragraph (there were no other people named in between). In the comments there were some cases with no name/description, but they were commenting on a story about a person (unabomber in this case), so there was no ambiguity there.
"A man went missing last night. He was wearing a red shirt." "Mary had a vacation last month. She travelled to Spain."
Of course there could be situations where the description doesn't tell you the persons gender, but those are rare and the gender likely didn't matter anyway (as otherwise it would have been stated). Plus since you don't need to use gendered words, no one will know even if you mistake a woman for a man or vice versa.
According to a quick search into Finnish companies, the currently oldest one (Fiskars, founded in 1649) has survived the transitions from Swedish rule to Russian rule (1809) and to independence (1917). The owners have changed several times. The oldest one that remained in the same family seems to be Frenckells printshop, which survived from 1642 to 2008.