Maybe I'm an outlier as an individual in my mid-20s, but it's enough to make me question the definition of class on annual income.
148 karma · joined November 7, 2017
Maybe I'm an outlier as an individual in my mid-20s, but it's enough to make me question the definition of class on annual income.
Frankly, letting a company aggressively market a highly addictive compound to an impressionable segment of society because of a single-use excuse ("it can be used as medication!") is a bit disappointing. It also reads as astroturfing because it's such a limp talking point.
Since I don't know for sure which direction causality points, I'm going to take the path of maximal self-determinism and try to stay fit as long as possible.
1. increase in healthcare costs and how health insurance is bound to employment
2. increase in wealth concentration and a shift from cash compensation to asset compensation (Bezos is only absurdly rich if he liquidates his Amazon holding instantly)
So, I would say your portrayal of hourly compensation is disingenuous as well. All of these statistics probably need to be calculated as medians instead of means ("compensation per hour" sounds suspiciously like "total compensation / total hours", which is a mean) in order for it to come close to accurately describing the situation of the median American, because wealth concentration has skewed the mean American into something a lot more optimistic than one would think.
Something tells me that the welfare safety net has more societal benefits than a wage floor, but right now we don't really have a respectable form of either compared to 20 years ago.
* Eric Prydz at Ultra Music Festival 2014 https://soundcloud.com/eric-prydz/eric-prydz-live-ultra
Lots of more-recent converters to the Prydz fanbase point to this set as being the "A-ha" moment of getting his music. He somehow manages to fit in a lot of different-yet-cohesive moods into 60 minutes, and the final song is a (live?) mash-up of two of his classics that is really, really clever and satisfying.
* Above and Beyond BBC Radio 1 Essential Mixes
* 2004 https://soundcloud.com/aboveandbeyond/r1-essential-mix-of-th...
* 2011 https://soundcloud.com/above-6/above-beyond-bbc-radio-1
Take your pick of 2011 or 2004 depending on whether you want to tackle more-poppy, modern 128BPM or a more classic, lo-fi acid-influenced 138BPM. I think the bootleg of Massive Attack's Teardrop from 2011 is a very special track, can't really speak highly enough of it...
* Yotto at ABGT250
* SoundCloud https://soundcloud.com/b-rizzzle/yotto-abgt250-live-at-the-g...
* YouTube https://www.youtube.com/watch?v=jtL1Ff0T6IM
I included a YouTube link because the audio doesn't do the gorgeous setting justice - sunset at The Gorge, Washington State, if you can get past the interesting rave attire that Americans seem to feel compelled to wear at festivals. Fine Day is an absolute classic, very airy and day-dreamy; bonus for the recording capturing the crowd singing along.
* Undercatt at Watergate https://soundcloud.com/undercatt/undercatt-watergate-berlin-...
Club instead of festival or Essential Mix. Again, ends on a very classy, satisfying track that rewards you for sticking through to the end. A bit more techy and minimal than my other choices.
* Sasha at Watergate https://soundcloud.com/last-night-on-earth/sasha-presents-la...
Same club, one year earlier. Again, more techy and minimal. The track around 28 minutes, "Trigonometry" is a perfectly drawn out with a very intense climax, and absolutely deserves the "progressive" moniker - unfortunately it's the radio show and Sasha talks over the track hah. This is only a middle snippet of the full 4 hour set.
* Lane 8, Anjunadeep Edition 28 https://soundcloud.com/anjunadeep/anjunadeep-edition-28-lane...
Something a bit poppier, but deep. Just like the Eric Prydz UMF set, a lot of Lane 8 fans point to this radio edition as being their "A-ha" moment. Very, very classy and restrained, but with some darker, more emotional moments.
* Armin van Buuren, Amnesia Ibiza 2008 https://soundcloud.com/rave_on/armin-van-buuren-live-armin-s...
If you can handle modern (post-2000) trance, then this is definitely one of _the_ sets to listen to. Really runs the full gambit of the genre as it was in 2008, starting slower and poppier, and ending with a very intense final two hours.
Anyway, this passage stuck out to me:
"""There is something that still rings true of Mattheson’s general idea. We do tend to associate some musical features with being uplifted and others with melancholic reflection, both of which might afford a certain subsequent pleasure to listeners. Just think of how we use music in our everyday lives: some tunes help us to work out or to get something done, while others allow us to cry."""
Composers aren't the only ones who have ever tried to manipulate the crowd. I'm not sure how pop stars/rock bands etc. plan out their sets, but one thing that any DJ[0] worth his salt pays attention to is "harmonic mixing"[1]. Taking things "darker", or trying to bring up the energy, are common strategies taken into account when planning a harmonic transition. I've personally bore witness to plenty of incredible sets that take you from the very top to the very bottom, and it's funny to me that the same ideas are masked behind hoighty-toighty music theory terminology that is used almost exclusively in reference to...music that was composed hundreds of years ago.
[0] By DJ I mean someone who does more than weddings, and certainly doesn't take requests.
[1] https://music.stackexchange.com/questions/14291/what-is-harm...
Running and extending numerical simulations with supercomputer clusters is just something you have to learn to do in order to solve your problem in some cases, apparently.
We don't work in advertising / marketing / business analytics, which is very easy to have an intuition about; and we don't strictly work with images, which, again, isn't terribly difficult to have an intuition about. So a strong scientific background is actually a major plus for us.
I could see that if we were doing purely deep learning image classification or advertising prediction then the physics degrees would be less useful, but thankfully we don't.
You're right about "research", although I'd hesitate to use the word hardcore hah. We get tons of candidates with ~2 years of slightly relevant work, but rarely do we get candidates with the exactly right relevant work. The "qualified" candidates I spoke of have ~4 years of slightly relevant work, but there are only a couple of them, and they're either out of our hiring budget or currently working for our team.
Our other tier of hireable candidates have been individuals with 4+ years of industry experience, usually with CS PhDs with a machine learning specialty.
The rest of our team came from internal transfers, people who were less qualifed but proved that they would have a positive impact on the output of the team.
The "toy examples" require only a very small subset of the skills required to extract business value from an amorphous blob of data.
As someone who's also involved in hiring, if I see no industry experience + GA tech online degree it's still on an entirely separate tier than 2 years of industry experience. But that's my bias I suppose, and part of the reason that I'm not the only one on the hiring committee.
Somewhat non-humbly, I was valedictorian at my high school, I triple-majored at a respectable Big 10 school, I actively use all 3 majors on a daily basis, in a foreign country, and sometimes in a language that is not my mother tongue (as an American).
I can't justify spending time and money on a master's degree (millennial wealth problems) where many courses would just be putting a formal, academic spin on ideas that I'm familiar with from a practical business-value-producing point of view.
Any advice on how I can effectively jump off the black-lists?
So, in the spirit of democracy, where the desires of all those who /can/ vote (not just those who /do/ vote) are respected, it is probably interesting to examine why voters do and do not find the motivation to vote. Hypothetically, if we had mind-reading devices, and motivation was not a prerequisite for voting, which side of the vote would have benefited?
Asymmetrical motivation is the hypothesis that in referenda where Action/No-Action are the choices, there will be more voter motivation for Action rather than No-Action. This very reasonably applies to Brexit.
In some ways this is a good question to ask, but much like a statement in legacy code, it's sometimes unclear why a rule exists until after you remove it, and then it's too late.
If only there were unit tests for real-life bureaucracy...
Once your car mechanic's single source of income is your transaction, which feeds their children and puts a roof over their family's head (as is the case for many employees), then maybe we can revisit this analogy.
Finally, because your analogy was so weak, I would also recommend to reexamine your opinion on employee rights at large, because they may be formed around similarly broken logic. Remember, the more your neighbors are protected from poverty and destitution, the less likely they are to be caught in a lifestyle of drugs and violence, which also benefits you and your family.
I apologise if this draws away from the primary point of your comment, but I thought this was quite poignant. It's a sentiment that manages to convey my intuition about the motivation behind hard-line anti-socialist groups, and also has the added bonus of explaining why "feel-good" one-off donation/volunteering stories in the media are so popular. People like to pat themselves on the back for helping others, as long as they aren't inconvenienced. People like to praise social constructs that help others, as long as they don't encourage constructs that inconvenience themselves.
(But I'm also hoping that this doesn't further dilute the music industry by making music "production" even easier. Pop music is already "algorithmically solved", and other genres aren't as unique as any fan would like to think.)
But at the same time, photo style transfer is...impressive[1]. It's interesting to me that so many engineers are focused on creating machinery that learns the photographic signal subspace, but there's not too many working on the audio signal subspace.
One thing that it does do is take away the turntable GUI (or hardware) and replace it with a two-field upload form, radically reducing the amount of know-how required to perform beat-matching. That's just really scratching the surface of what a lot of "live" DJs do (as they're called these days), as many are bringing instruments like drums and saxophones (see Big Gigantic[1]), keyboards and vocoders (see Lorenz Rhode[2]), their voice (see Gallago[3]), and traditional African drums (see Black Motion[4]), let alone simple song selection and set progression - "reading the crowd".
[1] https://www.youtube.com/watch?v=TkxMjfYOE-g
[2] https://www.youtube.com/watch?v=vwf2uvWlL_c
[3] https://www.youtube.com/watch?v=wmCFPjwlxIU
[4] https://www.youtube.com/watch?v=zHEc9uA2Zmw
When the tool comes along that can style-transfer two songs in the same way that it can for images, then I will admit that AI is on the verge of taking our music-creating/music-playing jobs. But for now, I'm satisfied that there's a bit more to the depth of DJing than that what an AI can learn.