That seems too strong, what about curation or editorial discretion? The NYT deciding not to publish my op-ed screed about the lizard people isn't censorship, it's just how you run a good news agency.
18 karma · joined December 12, 2019
That seems too strong, what about curation or editorial discretion? The NYT deciding not to publish my op-ed screed about the lizard people isn't censorship, it's just how you run a good news agency.
Quick addendum: data science != computer science, most data scientists learn coding on top of another skillset, not as their primary area of expertise, so things like under-the-hood efficiency are often second order concerns to learn-ability, ease of use and maintenance.
'''
Live Nation’s consolidation of the industry was rapid and aggressive, spending around $1 billion in just 18 months in the late 1990s buying independent concert promoters and venue owners. By 1999, when radio titan Clear Channel paid $4.4 billion for the company (then called SFX), it was the largest music venue owner and concert promoter. Antitrust enforcers took no action to stop the deal.
By 2005, Clear Channel had spun off its live music division into a new, standalone company: Live Nation, the country’s largest artists manager and concert promoter and second-largest venue owner. Today, Live Nation is once again part of a massive broadcasting and live music conglomerate that wields immense power.
Live Nation has since combined with the ticketing monopoly Ticketmaster, satellite radio monopolist SiriusXM, and online radio leader Pandora as part of media mega-conglomerate Liberty Media. Last year, Liberty Media was approved to take control of iHeartMedia, the largest radio station owner in the country; prior to 2014 iHeart was known as Clear Channel. The proverbial band was back together, antitrust concerns and all. Competition and consumer advocates stridently opposed every corporate tie-up along the way; my organization was part of a coalition that argued against the Liberty/iHeart deal last year. Antitrust enforcers permitted every one.
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Further down:
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The company’s power to steer business away from rivals is not theoretical. In late 2019 the Justice Department found that, for years, Live Nation had abused its monopoly by steering its artists and tours away from venues that refused to use Ticketmaster. The government could have sued for monopoly violations but instead simply amended the agreement it struck with the companies when they merged a decade ago.
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I think you're missing my point. The opportunity to market direct to consumer does not negate the massive wage-setting power of a cartel which can buy up rivals, production talent, leverage radio, venue, and streaming contracts, etc.
Ex: wired.com/story/opinion-big-music-needs-to-be-broken-up-to-save-the-industry/
Is this the case? It seems that there's the fundamental limitation of 10 musicians not being able to record a song in 1/10th of the time. Certainly there are SOME economies of scale, but it seems a little incredible that music would be as "factory producible" as something like a bookshelf or a car.
> The advent of physical media and distribution control enabled them to form these cartels, and extract rents to enable luxurious "rockstar" lifestyles for a select few.
This seems incongruous with the rest of what you are saying. Yes clearly there is an entrepreneurial component of music, and absolutely eg. SoundCloud and BandCamp is enabling independent artists in new and important ways. That doesn't change the fact that massive financial institutions are rent-seeking the bejeezus out of the bulk of the industry in a way that (to me) would appear to hurt competition.
I think generally the point of cartelization is to make it very challenging NOT to sign with them. Clearly many independent labels can thrive, and I can't imagine that it's impossible for an artist to start their own label. Nevertheless, when eg. sound and recording engineers can be aggressively poached by a major studio it's got to be challenging to go it alone.
Not to go laser-eyes Marx, but this is definitely not unique to the music industry either
More seriously I just mean that having a good manager or boss can change on a dime, past performance no indication of future success and all that
1. > These are the few people in the world that would get hundreds of job offers in seconds.
AWU is wall-to-wall, so not only are the cushy FTEs represented, but also all the less cushy contract workers, part-timers, etc (of which Google employs many!)
2. > Yet instead of moving out if they don't agree with Google's projects, they would influence the projects and maybe affect the future of the company
Isn't that their right? Shouldn't the people doing the work of the company get a say in that company's future? The "if you don't like it leave" attitude is so strange to me. What if they like their co-workers and parts of Google, and want to use their (supposedly) meritocratically-won power to exercise control over the things that are close to them? That hardly seems like privilege to me.
First off: this is one study. No matter where you fall on gender politics, I wouldn't hang anything too seriously on a single paper. Obviously gender discrimination has been a historical cause of the gender STEM gap; so are we saying that we've solved that particular problem? Is there still room to improve? How much room? To me it seems naive to assume the first one without lots of evidence, and this paper is not that.
Second: the regression shown in the article doesn't seem great. For one thing: there's a small cluster of countries with pretty high X values, and pretty low Y values which suggests that they have relatively high leverage over the results and should probably be excluded. If you cover up UAE, Tunisia, Algeria, and Turkey does the regression line make any sense at all? To me it seems way too steep, ie. leverage. (Maybe the authors talk about this in the paper, I can't get behind the paywall). Also my priors would be that there are a number of country- and regional-level effects at work for an issue like this. It would be way more informative if the authors were to perform subgroup regressions by region of the world, cultural factors, ecnomic factors, etc. It's very possible, for example, that these two variables have an opposite correlation within region, education system, etc, but appear to have a negative correlation on aggregate. Simpson's Paradox is real and can cut many ways.
Third: choice of metric. Per the article """In this study, the percentage of girls who did excel in science or math was still larger than the number of women who were graduating with STEM degrees. That means there’s something in even the most liberal societies that’s nudging women away from math and science, even when those are their best subjects""" This could be caused by a lot of things, but this suggests to me that the "Global Gender Gap" metric may not be giving us the whole picture. I think it's real hasty to draw basically any conclusions about eg. the US STEM culture based on this study. When the results suggest a paradox like this, I think it calls for looking at a variety of metrics to see if the same results are borne out repeatedly.
tl;dr there's a lot of research on the gender STEM gap, and a lot of people shooting from the hip in these comments.