This specific type of garbage is exactly what arms the anti-AI critics with valid arguments. We should really wait a few years for the technology to mature before releasing these kinds of projects into the cultural sphere.
This specific type of garbage is exactly what arms the anti-AI critics with valid arguments. We should really wait a few years for the technology to mature before releasing these kinds of projects into the cultural sphere.
If you are not expecting them to be as good as people then their failures seem wholly unremarkable. The specific nature of tbe failures can be quite interesting in fact. They can expose deficiencies in the architecrure, training data, or presumptiona of those controlling the models.
In my experience very few people are claiming the capabulities that would be required for me to expect them to produce better than they currenrly are.
I'm not bothered by a fish's inability to quote Shakespeare.
But I am bothered when they put a pencil in the mouth of a fish and tell us that this is the future of literature, that this qualifies as playwright, and that theaters will soon begin putting on plays written by a fish with a pencil in its mouth.
Every talk show then has to have me on. It would be one thing if I was boasting about the fish, but scared of it? Well then surely there must be something important going on there. I begin:
"Don't worry. Be happy"
Do you think that a descendant of a fish could be a playwright or put on a play?
However there is a major flaw in your logic. Fishes (or their descendants) reciting Shakespeare is part of natural history. AI making quality music videos is just a prediction (or maybe even just wishful thinking). The former has occurred and has been observed, the later has not. So you are comparing nature with science fiction.
I believe that was the point.
a) You are allowed to dislike cheap stuff, in fact it is common in western culture to dislike art where it is obvious that the artist cheaped out.
b) Never in the history of western art critique has there been a requirement that the critic is able to do better then the artist (let alone for cheaper). As the saying goes, “I may not be able to pilot a 100000 ton cargo ship, but I can tell when one is stuck in a canal.”
Feel free to not make your own music videos, but I am not sure why you would be so upset about other people having fun.
As a person who makes a lot of music, I don't care if folks have fun. In fact I am having such a hard time caring hat folks do or how they do it I can't get motivated to book any shows this season.
But the part you're missing is when folks make these things and then say "yeah, you see this thing we're doing? That's what we think -you- are doing." LIke when someone sets up an LLM to shit out some song lyrics, I don't care if they are having fun doing it, but I think it displays a lot of contempt for [insert an songwriting artist youlike here] to claim that the LLM is doing the same thing.
Which is fine and all- I've got plenty of unmitigated contempt for my fellow humans.
And you don't even need a computer to do that- I've released a certain amount of music that is facile and boring and in retrospect understand why folks were dismissive.
But if you want to understand why folks who consider themselves invested in their craft (or even invested in other artists' craft) are dismissive of these things, then you might consider how radically dismissive of craft these kinds of cultural products might seem to artists.