I wonder if it was the result of a study that concluded visibility was slightly increased over a consistent baseline due to the extra pixel of height for caps. Whatever the reason, it certainly gives the signs a quirky character (no pun intended).
I wonder if it was the result of a study that concluded visibility was slightly increased over a consistent baseline due to the extra pixel of height for caps. Whatever the reason, it certainly gives the signs a quirky character (no pun intended).
Anyway, it works ok for most of the characters but it’s quite jarring for the Ki because it looks like the K descends into the i’s cell (though it doesn’t).
I'd be surprised if these fonts were not based on a study, or developed as part of a study to find a particularly legible dot-matrix font.
[1] https://en.wikipedia.org/wiki/Transport_(typeface)
[2] https://en.wikipedia.org/wiki/Rail_Alphabet
Edit: I think we need TfL document 1-312 "Automated audio and visual information in public areas of stations and trains", but I can't find it online. Only the newer standards using LCD displays:
TfL Digital display standards: https://content.tfl.gov.uk/tfl-digital-display-standards.pdf
London Underground Good Practice Guide: Onboard Electronic Signing: http://www.signdesignsociety.co.uk/images/Knowledgebase/TfL_...
I figured the result was dictated by the specific dimensions and display density of hardware that matched the brightness/environment/size/etc requirements they set forth.
I know the care that goes into finding fonts for standardized government use (road signs, national parks, etc) but imagined this particular set of circumstances was confined to the displays commissioned in that particular round of updates and decided by the contractor and the liaison officials.