2,804 karma · joined June 11, 2009
I knew a guy who did security clearance checking for the Three Letter Agencies for many years. He told be that if I ever had to do these interviews, I just need to pick good sounding lies and stick to them. He said it's the ones who try to be honest and introspective who get failed out.
[0] https://archive.org/details/Babble_1020, https://vetusware.com/download/Babble%21%202.0/?id=11924
That piqued my interest, so I searched for it but Google AI told me to give up. :-/
Sam Neill has not written about the filming of The Hunt for Red October; he was not in the cast of that film, which starred actors like Alec Baldwin, Sean Connery, and Scott Glenn. He is, however, known for his role in Jurassic Park, and there are interviews where he discusses that experience and his work with Steven Spielberg.
I could imagine, though, that companies might have trouble attracting quality talent to Hokkaido, because people see more opportunities in the big cities down south. I suppose it's like if you were trying to build a tech hub in Montana.
I hate AI slop and I fight against it in my work, but as that style of writing becomes increasingly prevalent, students are unconsciously adopting it for their base writing style. Automated detection of LLM writing never worked well, and now LLM and human writing have converged so much in style that machine detectors are worthless.
Our response should be to refuse to accept slop, whether produced by human or machine. I strive to point out the stylistic details of slop and how to avoid or edit them away.
Although TFA doesn't refer to it by name, "insight" problem solving is when you are stuck on something and then suddenly realize the solution. The common explanation for being stuck is "fixation" on the wrong things. In agreement with TFA, there is indication that verbalization supports fixation more than visualization.
Nice to learn that bit about long kimchi slices. I just assumed it was because people like it long, like with spaghetti.
As to why fans of the fantasy genre prefer medieval settings. I know it's a topic of discussion, but I don't know if there is a widely accepted explanation.
I've worked in academia, mostly the humanities, since the 1980s, and have observed a clear difference in how much effort women put into social networking and how this affects career progress. On the negative side, this can lead to cliquishness. I even once had a gay colleague who complained bitterly that his sub-field was dominated by lesbians who resisted male inclusion.
It seems to be a frequent observation, such that it may now be uncontroversial, that women generally approach things with a broader contextual awareness while men are in general more narrowly task-oriented. The implication is that we should expect women to generally lead in social advancement while men will tend to have a lead in technical prowess.
An illustration that has given me much cause for introspection, as a teacher and researcher, is my working library. I have about 200 books on a shelf near my desk, that I thought were of such quality that I wanted my own copy always at hand. On that shelf, there is just one book by a woman. I have often considered how it could be that there are so many women in my working life but so few on my shelf.