3,459 karma · joined July 10, 2016
meet.hn/city/53.550341,10.000654/Hamburg
There's half a camera's worth of features in these things that people won't use, but they still pay for them.
Examples: Leica (for Fotos) charged a princely sum for various trifles before removing these fees.
Naim: charged £35 for the control app - which I paid - before going free, and now the app is the only way to control whole swathes of their increasingly-execrable hardware.
These two companies’ kit is expensive, luxury, premium, however you want to refer to it, and so they probably felt comfortable wringing their customers a little more. Probably understandable in the case of Leica owners who will pay £250 for a viewfinder dioptre correction lens (puts hand up again) but less so for hifi owners.
It is not that audiophiles haven’t been shown to spent inordinate sums on the dumbest, snakiest, oiliest tat this side of an Oxford Street souvenir shop, but it has to be material and palpable.
Luckily I have long-preferred Firefox but I recognize that it’s not for everyone, or hardly anyone for that matter.
Maybe a local pi-hole would do the job properly.
For my part, I find the city tiny as I can cycle to the other side in less than forty minutes, which I love, it’s so fast to get around. I’ve been to a few non-tech meetups but they are short and fleeting and quite insubstantial. Still, here we are, send me an email/dm if you want to connect for a cup of tea somewhere equally inconvenient in the Mitte, like one of those Treffpunkts!
Thanks for the intel, definitely one for next year!
Good tip on CCC too from previous poster, they’re not far from me, they’re near to stuff I know in Altona, I will grab a mask and head to an Open Chaos night. I passed my B1 earlier this year so my German sucks less than it used to but is still terrible.
This year has honestly speaking been terrible, but all I can try to do is either go back home or find some people to talk to here. You gotta work with what you’ve got.
EDIT: Super Tipp, danke. Habe gleich zwei Treffpunkte in der Nähe gefunden und werde diese im neuen Jahr besuchen.
That said, currently in Germany where several of my favourite bars have only three taps of similar beer all of which I can’t stand, and rather than drink spirits at the same flow rate (if it’s in my hand it’s likely going down at the same ml/minute) and bringing my evening and next day to a halt, I’ll have to cut the bar time short.
It pays to diversify the palate but it takes years to get used to some booze in the first place, I figured that’s why all the simple, uncomplicated stuff sells.
And no visitors to the city have ever felt disappointed in an English pub if taken to the Louise, John Snow, Cittie of York, or a few of the other unmodified Sam Smith’s pubs in town. I even like most of their beers.
But they are a bit weird and stories of the boss are pretty legendary, and this confirms it in glorious detail.
My favourite: https://en.wikipedia.org/wiki/The_Adventures_of_Tintin:_Brea...
Others: https://en.wikipedia.org/wiki/List_of_Tintin_parodies_and_pa...
If Atmos was like Q Sound and an intrinsic part of the artists’ recording and mixing process, that would be one thing, but sticking it on afterwards, especially when the core guy is dead, is just fucking things up.
It’s the musical equivalent of the woman who tried to restore the Ecce Homo painting.
For decades, everyone has been obsessed with trying to remaster and restore music and extract as much as possible from the original recording, resulting in outstanding work (I like The Beatles’ Love, btw) and I guess we’ve run out of projects for remastering engineers if retrofitting Dolby Atmos is all they’ve got.
One problem is finding music that is recorded well-enough to enjoy in better quality. I was listening through my Mojo 2 earlier, and enjoying the last Radiohead album from 2016, it was fabulous in every aspect. But then, on the other hand, put on Arlo Parks Collapsed in Sunbeams, which sounded terrible in comparison. You can't really tell on streaming!
My kid gets this, he hears it, and to my surprise he’s playing all my records. And some he’s bought himself. He doesn’t mind turning a record over, or walking to the stereo, or listening to a side in full. He’s making his own memories and his own associations, it turns out that it’s more powerful for him with something he holds in his hands.
The sequencing and timing between tracks turns out to be crucial too. Too many songs on streaming are split or stutter when they’re supposed to segue smoothly into one another, or the single version appears as an album track and sounds weird, or there’s a different delay between two songs everyone. It breaks the rhythm, even the one you can’t hear.