I would love a brief history of GUI programming concepts and patterns if you could point to one.
247 karma · joined October 7, 2010
I would love a brief history of GUI programming concepts and patterns if you could point to one.
https://github.com/sebastianbergmann/phploc
Maybe it's doing things like contracting method calls to one line and making single statement if blocks one line.
My "getting started" experience with React (which I use every day) was much more rocky. Admittedly this predates create-react-app.
https://github.com/vuejs/vue-cli
Incidentally, vue-cli predates create-react-app.
Also, Vue doesn't really have two way binding, just the v-model directive that is syntax sugar for handling an event to update component state.
Everyone except the retail workers.
So, are they saying sit-stand is ineffective, or are they saying that in practice people just sit?
I am a developer though, for my sins, and would appreciate a vote or two. Or, ideally, three.
(removed the link to my profile, as some of you very kindly voted me in)
What he's really itching to say is that poor people are poor because they're stupid. He won't say that because it's offensive and untrue, but it's what he feels.
I just booked a ticket after seeing the article here, and I'm pretty excited. Even if my idea doesn't win any votes, It'll be a fun challenge for the weekend at least and just possibly a big opportunity.
Also, reading around I found a discount code for the event here: http://www.cabume.co.uk/the-cluster/inaugural-cambridge-star...
In truth in the arts you have an almost unrestrained version of the Matthew effect - early success either through luck or hard work breeds more and more success. This is more true in drama than music - it is more difficult to tell a good actor from a bad actor than the equivalent violinists for example.
(Sour grapes alert :-)) I trained as an actor, and I know from my cohort that the ones who are really successful now weren't objectively any better than most of their colleagues at the beginning. Their entire careers now rest on the fact that they had two or three really lucky breaks in a row very early on - choosing the right speech at the showcase and getting that good agent, getting a good tv job early on etc. The upshot is that ten years later, they've been working on their craft constantly and so now ARE objectively better than the classmates they left behind, no contest. It is extremely unusual, though not unheard of, for someone who was unsuccessful at the beginning to go on to develop a high profile career and even then the examples you read about in the press are probably fabrications or half-truths (the cliche of the overnight success for example).
I find that arts journalists consistently misrepresent the element of luck. Perhaps because they don't understand, or it undermines them in some way. I've never read an article about an actor friend of mine that has told the truth about how they've come to be successful. It's always something along the lines of "they always new they were special", or "hard work got me where I am today". I'm not suggesting that the actor is lying, although I wouldn't blame them if they did. Your reputation is your career, and if you declare yourself to be a lucky chancer you might damage it. I've always thought that it is more likely to be the journalist justifying why we should look up to the interviewee.
In any case, does anyone here know what happened to Mozart's sister? Perhaps it was harder back then for a woman to be a composer than it was for men? The last orchestra I saw was 90% male, so this wouldn't surprise me one bit.
I've always preferred being a little more verbose, if only to avoid hidden side effects and improve readability. You can always compress later if it really bothers you.