Article could have profited by adopting a neutral tone instead of attempting to be comedic. Surely information on historical sizes has not been lost. As for the candy bar market: the ideal outcome for the consumer would be if a single candy bar ended up being a reasonable portion size, priced proportionately to cost to produce.
I am the complete opposite of that. My attention wanes when someone fails to get to the point, instead dwelling in irrelevant details which are not intrinsically interesting. Have to muster the motivation to concentrate in such circumstances, and doing so is not enjoyable.
There does not seem to be a documented close lineal connection between August Dvorak and composer Antonín Dvořák, although it would be reasonable to suppose some relation exists.
Less interoperability leads to more lock-in in their view. Poor implementations facilitate this. Making the user lose data or be uncertain about losing data is just icing on the cake.
>Amazon said it had supported the devices for 14 years or more and could not keep doing so indefinitely. "Technology has come a long way in that time," said a spokesperson.
Wasn't the original concept of the Kindle that it shouldn't need to be replaced by newer models?
The problem with using a physical terminal for everyday computing in 2026 is that there is no model that provides a happy medium between sufficient bandwidth for a snappy experience while in use, and a cool retro feeling. Newer models one might have seen very recently, for example in a library, and older ones will feel sluggish.
I hope they will consider releasing DALL-E 2 publicly, now that there has been so much progress since it was unveiled. It had a really nice vibe to it, so worth preserving.
"Disciples", but seemingly without back and forth feedback from the "teacher". Many happy to ride on the coattails of his reputation, though. This particular style might also be attractive to new film-makers because it allows them to dispense with learning the basics of traditional film language.
>The best way to reclaim our digital experiences, though, might be to stick with the likes of TextEdit, software that is unable to do anything except follow our commands.
This situation persists: for instance, try to write to an external disk formatted with NTFS using the GUI tools alone. Baffling why Apple doesn't simply obtain a license in order to gain this capability. Big unnecessary inconvenience, primarily for their own users.
Anyone wondering what might have prompted his evident change of attitude after already having engaged in a "correspondence" with Mosley should note that this letter was written during Ralph Schoenman's infamous tenure as Russell's secretary.
An interesting prospective project for a technically minded musician would be would be to find an automated way to "correct" the surviving corpus of Welte-Mignon[1] recordings. They were designed to capture the small nuances of performances (such as dynamics), and a large number of historically important musicians made recorded performances in this medium before the era of sound recording. In my strongly-held opinion, the rolls were marked in an uneven and imprecise way, making direct playback on anything but the original recording apparatus inaccurate. A common trait of modern renderings of these rolls as sound recordings (as found on CD or on Youtube) is an unevenness of tempo and a seeming lack of synchronization of voices (really piano keys). However, the mechanical quirks and imprecision in the recording apparatus must be regular enough to allow for a more accurate version of the performances to be reconstructed, without relying on unduly many aesthetic assumptions.
None of the examples shown in the video are passable hoaxes. They are all obvious burlesque-style parodies, albeit made in bad taste. They all also have clear and prominent hallmarks of AI generation. Anyone fooled by these has got bigger, prior problems than any potential belief instilled by these videos.
I assumed the article would be about orchestral musicians (for whom there is a high, and increasing skill threshold) or session musicians (whose work is increasingly being replaced by computer synthesis). Instead, we get a very long narrative about a rapper who is still struggling to "make it" as a recording artist. In the era of sound recordings (which began well over a century ago) there is little incentive for the consumer to choose one with middling appeal over the most popular options. This makes the task of becoming a star, but on a small scale, a difficult one. Instead, a prospective "middle-class musician" must find a niche of some kind, perhaps by focusing on the local market. For example, a busker could potentially make more (than his cited $250k in recording revenue) over a period of 9 years with sufficient dedication.
No, I meant, if you want to provide video games, just provide whatever is current and popular. Also, they should research whether there is actually a need for this. One suspects that such a thing already exists.
On the building a Commodore game room for sick kids charity idea: one thing they wouldn't have is nostalgia for the 1980s home computers. Just get them Nintendos.
The released draft report seems merely to be a litany of copyright holder complaints repeated verbatim, with little depth of reasoning to support the conclusions it makes.
Have to disagree about the 'effective' part. Gates seems to have had a knack for massive inefficiencies and negative externalities in every way that he has impacted the world. Think of how many man-hours (measured in human lifetimes) have been wasted due to the shortcomings of various MicroSoft programs. Weigh that against his health initiatives in the third world. Or the impact of dimming the sun by depositing massive quantities of particles in the atmosphere: the resources consumed and carbon emissions that placing them would entail, and of course the intended effect, which is to impede human progress as measured by the Kardashev scale. Everything starts to look much more efficient if this is taken as the goal, though.