So it's essentially a bridge to the nearest international airport from Macau?
697 karma · joined February 20, 2007
In fact, you could double underline a word by moving half a line down (that was a thing) and then create the underline with equal signs.
Array.from('string')
[...'string']But as we move further, we'll be looking into making the versions for both platform feel truly native, and that will require some changes to navigation components and the overall navigation paradigm (tabs vs. drawer, screens vs. cards etc.).
The platform differences are as much about design as about code, and I don't see how you can escape that work with any cross-platform framework. But React Native makes it very easy to implement in a way that lets us share all but a few components.
const component = ReactDOM.findDOMNode(TestUtils.renderIntoDocument(
<MyComponent {...props} />
));
let node;
const component = TestUtils.renderIntoDocument(
<MyComponent {...props} ref={n => node = n}/>
);
Until that moment, I was amazingly conscientious, and combined with a very high IQ it was logical to assume that I'd do very well in life. I still have the same IQ, but I can't for the life of me finish an education, save money, or eat the dessert last.
Apparently, "grit" is dependent on functions located somewhere in the left frontal lobe [1], and if you damage that particular part of the brain, no amount of training can bring it back to what it was. After years of training and therapy, I'm still essentially a reckless, gifted child. I've learned wonderful tricks to keep me on track in life, but they only get me so far.
I suspect that parenting has a similar effect to my training: It teaches the tricks, but doesn't address the underlying reality of sheer, physiological ability.
[1]: Probably the dorsolateral prefrontal cortex
Exactly. They'll be more like trains than trucks as we know them; they'll simply have more tracks available.
What Scandinavian designers offered at the time was something entirely different: International modernism in its purest form. The architects of the time, most notably Arne Jakobsen, were heavily inspired by German and American modernists. They were just better at it.
Jakobsen designed most of his chairs for a skyskraper in Copenhagen that's essentially a copy of Lever House on Park Avenue in NYC, and his mania for designing every last item in the skyskraper mirrored that of Mies van der Rohe, a German-American. At the time, it was considered "American" by Danes.
If there's anything special about Scandinavian design, and I believe there is, it's the constant search for purity.
There's not a single period in Scandinavian art history since the Protestant reformations of the 16th century that isn't dominated by the search for purity. Even baroque art from Scandinavia is strangely cool. It just happens to in vogue today, and since we practiced for centuries and it's engrained in our culture, we're very, very good at it.
Culture is much deeper than whatever political currents dominate a country at one partical point in time.
A couple of differences: The 'a' is clearly different, and you should be able to spot the difference even with an untrained eye; the 'C' and 'G' are clearly slimmer in SF.
The curves of the rounded letters have a subtly different feel to them matching the names of the fonts: Helvetica is sterner and more geometric, San Francisco more inviting and informal. You may find this hard to see is you look too closely, but see if you can feel it or learn it by attaching adjectives to the look of the words.