810 karma · joined May 19, 2011
He would come like a dog, knew many words like "peanut butter," was very clever at opening and closing all manner of doors, and was very affectionate, if you were the only one around.
Literally would grab your ankles and try to restrain you from leaving. But only if you were the only one around.
Incredible sense of spatial awareness and time of day, too. Both seem common traits to cats.
Take another batch and simply log-roll them along the lab bench for half a meter. Repeat break test. Note the reduction in strength signficant at p=0.05 .
Fracture toughness is a bear.
Especially if you sold a wireless mesh company and know a guy named Eric from your GT days who recently changed jobs from one consultancy to another...
See ISO 226:2003
These metamerial, interference based approaches, are not going to be broadband by the standards of physical acoustics.
This could be useful for helping cancel a particular harmonic of a helmholtz resonator.
The real question, to me, is does it still work at high transitional Reynolds numbers, or under full turbulent flow?
Source: End effects during transitional and turbulent flow for Helmholtz resonators (i.e. bass reflex ports) in high output pro-sound loudspeakers has been something I've played around with in the past.
There's still a lot of room for art in the process, though. With experience you get less attached to your particular sonic leitmotifs, and that helps. Even if you would not personally mix it the same way.
Things you can train for include: being sensitive to minute changes in level/frequency/time, picking one source out of many, precisely placing items spatially in stereo, listening for specific types of audio artifacts.
Golden ears could include perfect pitch, but in the production context pp might be translated to a specific frequency, rather than a note.
These two instruments are both great, but the Hammond is no analog for a pipe organ. Neither in tone nor the way it interacts with room acoustics. It's fascinating that this could even be a plausible discussion.
You can improve your hearing markedly with practice. I didn't start with "golden ears" but have improved a great deal even as my ears age. But many of my worst days behind a mixing desk got the most positive response from the general audience.
The cheaper bulb in the original article has linear current control. Inside the ASIC, this could be as simple as a BJT or FET in saturation with a (somewhat) controlled base/gate voltage, maybe with some temperature compensation.
The linearly regulated bulb will have less RF emissions, though you could theoretically still have a bit of rf trash from edge effects depending on the rectifier and filter cap.
Any bulb that has passed FCC Class B will have an upper bound on conducted and radiated emissions, but you can pass such tests on a wide range of margins, and therefore certification isn't useful to clarify which bulbs have the lowest emissions.
If dimming is important to you, there are a number of architectural grade bulbs that offer deep dimming to 5% or 1%.
Personally, for this application, I've had good luck with Cree bulbs of this type at home (on Leviton dimmers). And in the house of worship environment with Cree bulbs on Doug Fleenor dimmers (http://www.dfd.com/dmx8dim.html)
The lumens out of a legacy high pressure sodium lamp are very high. It is still an engineering challenge to get comparable lumens out of LEDs at price point the market will bear.
I know for a fact that some of the testing houses have done extended on/off cycle testing for some of the big box retailers looking to keep the lamp vendors honest on real lifetime performance of A19 class bulbs. I've been in such a test chamber.
A high efficiency LED assembly is still producing on the order of 50% light and 50% heat.
https://www.ies.org/product/projecting-long-term-lumen-maint...
But, in practice, other components generally fail before the LEDs have a (binary) failure.