258 karma · joined January 21, 2020
It is disingenuous to suggest that anti-discrimination laws for trans people are attempting to legislate away the hatred held in people’s hearts, instead of access to healthcare, public facilities, protections against workplace discrimination — things you describe as having “real questions,” but which are, in fact, the parts of a full and dignified life that bigots would deny to trans people in particular. If you pretend like it’s trying to legislate “thoughtcrime,” it’s much easier to distinguish anti-discrimination laws for trans people from rulings like Obergefell or Brown v. Board — far easier to say “look, those were good, but this particular civil rights legislation is simply unreasonable.”
To platform these beliefs is to afford them a legitimacy they do not deserve. To suggest that bigotry, when amplified, will be in some way countered or reduced is naïve beyond belief. Instead, it becomes easier for bigotry to find an audience of receptive listeners and willing conduits for further transmission.
Abstractly, I agree with what you've said here, but I don't think the part of Gerard's post that you quoted is making the point that you're countering.
Broadly speaking, a lot of discovery work comes from domain experts precisely because of the work it takes to become such an expert. My read on the phrase "actually knowing stuff" is that it refers not just to a solid understanding of the nuts-and-bolts of your field, but also a more general grasp of the field's history. This kind of contextual knowledge is extremely helpful when attempting new or experimental research because it gives you an idea of which areas of knowledge might contain some novel insight while also cluing you in to which approaches might help you arrive at that insight. I interpreted Gerard's critique of Buterin here not as one of insufficient academic clout, but of arrogance, a reification of great man theory [1] through a techno-libertarian lens that positions himself among a host of other so-called "great men" and frames every societal problem as solvable through whatever lens the Great Man might think is particularly interesting.
Gerard's critique of Buterin's approach to sharding (which goes into further detail here [2]) seems to back this interpretation up:
> Buterin blogs extensive essays full of great thoughts on how to reorganise the world, and how Ethereum will be the basis for this once they add amazing new functionalities that will only require solving P=NP.
> Remember that Buterin spent years working on a sharding plan for Ethereum that, had he done Intro to Theory of Computation, he might have realised was probably impossible.
Seems less like "Buterin is a fool for not Being An Academic" and more like "Buterin is arrogant enough to assume he can solve a really difficult problem without understanding why nobody's solved it yet."
[1] https://en.wikipedia.org/wiki/Great_man_theory [2] https://davidgerard.co.uk/blockchain/2022/04/04/if-you-want-...
Shared amongst all these lines of thinking is an intense belief that the world would be a better place if the idea of being trans (and trans people in general) simply didn't exist, and that to move to that world, we should be detransitioned first, invisible second, and dead otherwise.
You are framing this as "special treatment" precisely because of your ideas of what gender means to you. Honestly, I empathize hard with what you describe as "pissing into the wind." I'm misgendered on a daily basis -- if I spent every ounce of energy I had correcting people, I'd end each day exhausted. More often than not, I don't push back, usually because it's a service worker who's forced to be deferential as part of their job ("sir"/"ma'am"/etc). I don't begrudge that kind of attempt at politeness. Even outside that, it's never a huge deal in isolation, but it adds up, because I have to do a little bit of mental calculus each time: is this person going to make a whole thing about it or go "my bad" and move on? do I have the energy to bring it up? are they trying to be rude or is it an honest mistake? etc. In professional and personal circles, I'm generally more likely to correct people, because I'm signalling a way to be polite to me, and I've been polite to them, and it's how we establish mutual respect, not "special treatment."
Usually, when people get frustrated at misgendering, it's because a person is ignoring really obvious tells about how a person wants to be addressed (clothing, etc.) in favor of their own personal philosophy about what being "right" means. In the exact same way, for example, you might feel frustrated if someone intentionally decided to use a semi-mocking pronunciation of your name. In both cases, it signals that a person has decided to be cruel to you for petty and unknowable reasons.
I guess my big takeaway is that you deserve as much dignity and respect in the way people pronounce your name as I do for my pronouns, and I hope you can find some understanding/empathy in the parallels between our experiences.
That said, if you absolutely need concrete subtyping in Julia, you can emulate it for structure with the tricks described in this (old but gold) Chris Rackauckas blog post: https://www.stochasticlifestyle.com/type-dispatch-design-pos...
W/R/T the top-level comment: to frame coercive forces (isolation, geography, exploitation, and so on) as matters purely of individual choices speaks to a deep rejection of systems thinking that’s both
a. unproductive in a conversation about labor practices resulting from intricate and brutal edifices of human suffering, and
b. misses the point of collective action, which has over the course of multiple centuries chipped away at the brutality of said edifices, strike by strike.
I think this broadly depends on what role you view art critique as having. In the opening paragraph, the author does a great job (IMO) of outlining his perspective:
"As a critic, I’ll suggest that I can sensitize my readers and listeners to what they didn’t see or grasp or apprehend when they witnessed the same art or performance."
If you view critique as a way of exploring new perspectives, subtle context can be one of the ways in which a critic can help add to the conversation surrounding a work. While it's not necessarily a critic's responsibility to understand every piece of background info at every moment, it's also understandable that a critic might view their own omission of a particular piece of context as a failure to provide additional insight that they believe they might have been able to contribute in a review, especially they view the goal of their critique to be that act of "sensitizing."
> More broadly, does great art have to be immediately striking and accessible?
Part of what Rodney might argue here is that it's not necessary for art itself to be striking/accessible, but a good critic can make such art accessible by virtue of dedicating themselves to the understanding of "subtle contexts."
> If a piece of art resonates only with people who share the artist's context (like the mentioned punning pronunciation of "boy" in a given dialect), can a critic lacking that context review it, or a viewer appreciate it?
I'd argue that context isn't a strict requirement for appreciation, but that it can often be a useful way to construct additional meaning, to find additional appreciation for a work beyond the initial appraisal. It's different for everyone, but I love art and art critique, and these are the ways of thinking that I've personally found bring me the most joy/fulfillment when thinking about art.
Strength and speed are not the sole metrics by which Olympic medals are awarded, either. Some people are taller than other people, some people are shorter, some are trans and some aren't. None of that categorically excludes trans women from womanhood, so I don't see why that would preclude them from entering into women's events. It comes back to a fundamental distrust of trans women as containing some vaguely cited percentage of lying cisgender men.
For a bad-faith actor to take advantage of the current system, they'd have to transition medically and socially, wait for years (in Laurel Hubbard, the potential first trans Olympian's case, at least five -- she quit in 2001, transitioned in 2012, then began competing in 2017), and then stay that way for as long as it would require to convince people that you've fully transitioned (could be decades or the rest of their life, depending on how they'd want their legacy to live on). The incentive structure is just completely out of whack. You'd have to fight tooth and nail for something you don't actually identify with, and live with the physical and psychological effects for years or possibly decades, plus living with the general harassment people would give you for perceiving you as trans and for trying to compete in the Olympics, and then what? You think with how stringent the IOC tries to be with doping that they wouldn't figure that one out? You think the backlash wouldn't be absolutely enormous?
What about this is "worst" case, anyway? We might get our first trans person who's even allowed to compete this year. It's a totally disproportionate response.
I used “secret” with a clear intention here, because on the gender-critical side, categorical rejection of trans women from womanhood is a core belief. It follows that if you don’t believe any trans woman is “actually” a woman, that every trans woman is just a man trying to be sneaky, then every trans woman in prison, regardless of existing convictions, is a potential Karen White.
White’s rape conviction is probably the more germane data point in that particular edge case. From there the question might be: how do women’s prisons handle cisgender women with rape convictions against other women right now? What potential problems, if any, would arise if we implemented similar procedures for trans women? How might those procedures help or hurt trans people?
(This might also lead to higher level questions about the efficacy of prisons in a broader sense, but that’s outside our scope here.)
When, as trans people, we see edge cases brought up like this, they’re so often used as a means of depicting us as potential Karen Whites that, to the extent that we even bother engaging, it comes from a defensive place. I hope you can understand that I’m choosing to engage here both because I do see well-meaning people like you on this site and because I think the site needs a counterpoint to the FUD about trans people, even if I dread some of the nastier responses.
It’s worthwhile to interrogate some of the ways we frame these kinds of discussions, implicitly or otherwise, myself included!
[1] https://www.nbcnews.com/feature/nbc-out/transgender-women-ar...
[2] https://en.m.wikipedia.org/wiki/Prison_rape_in_the_United_St...
When high-visibility articles on trans people show up, it's almost inevitably when our transness -- our ability to move through the world, to exist in certain spaces, or even if we exist at all -- is the subject of debate. I don't know how many cisgender folks here really get how fundamentally exhausting it is to have some part of your identity always be part of a debate, to be talked about or on rare occasions talked to, but almost never engaged with in a substantive way.
It's just fear fear fear, 24/7 -- simulating hypothetical nightmare worlds where trans rapists lurk in bathrooms and prisons, where every Olympic gold medal is taken by a man masquerading as a woman, roving hordes of red-faced trans activists screaming incoherently online at nice, well-meaning, harmless people who just want to learn.
I just wanted to put out there that the flattened, simplified perspectives trans people are portrayed with may not give you the whole picture, and I'd encourage people here to give perspectives from trans people the same (well, more, preferably) curiosity and interest that you might give to scare quotes and soundbites about prisons, bathrooms, and sports.
Genres like synth/vapor wave are very conscious remixes of periods of time many of us were barely alive during, and their popularity comes in part, I think, from the tenuousness of their connection to the time period from which those genres draw their audiovisual cues. For me, at least, my earliest memories are a dream half-remembered, and music that draws from but does not emulate music from that time period can be a way for my imagination to fill in the blanks.
I don’t see irony there!
“Pretending to be trans for (reason)” is a really really common way to mock trans people and I think you know that.
Lots of fearmongering in the comments about “woke mobs” here, and I want to offer a counterpoint to the characterization of the Basecamp employees who left as some kind of shrill hypersensitive scolds. Put yourself in their shoes.
You notice the company you work at has a circulated list of customer’s names, some of which make fun of your race — have been used to make fun of you since you were young. You go “hey this sucks” and it gets taken down. You point out that this is part of a pattern of societal behavior you’ve known your whole life, and that pattern has affected your life negatively and materially. This is not received well — combating a single incident is easy, but unraveling a pattern of behavior is an arduous, years-long, and sometimes unprofitable path. At an all-hands meeting, a higher-up not only denies this pattern exists, but any action taken to unravel it would instead target him instead. The Big Bosses do not refute this until much later, and only partially. Would you feel respected? How would you react if someone said you were acting like a child and demanding something unreasonable? How would you feel if someone told you that you’re only doing this to perform “wokeness?”
I’d be mortified if I worked with someone who thought like this, and I’m glad I don’t.
This is not a defense of punditry — I feel pretty icky anytime I see a climate denialist like Bret Stephens opining on climate change in The Paper of Record, for example — but I also don’t think we should necessarily conclude that a person’s relationship to power connotes an inherent level of expertise.