246 karma · joined January 11, 2023
And that light connection to people through social media wasn't a thing that created "close friends" anyway. It add to those weak connections that do have value but I doubt many people create intimate friend relationships solely through social media.
https://en.wikipedia.org/wiki/Bertrand_Russell
"No people anywhere in the world would accept being expelled en masse from their own country; how can anyone require the people of Palestine to accept a punishment which nobody else would tolerate?" -- Russell
where has this actually been done?
this will do wonders to the rental market (and car usage and the climate)
This article is dead on arrival unless you start with explaining when in US or global cultural the general trend was individual distinctiveness.
Visual examples of sameness could be assembled from practically any point in human history.
Where's the evidence that this is a new trend?
Even including Netflix's success, there is no segment of the movie and television business where technology is dominating the actual creation of the content. And this conversation started with a Ben Affleck video about how that creativity isn't going to be replaced anytime soon. An algorithm can tell Netflix to greenlight a show about "nonbinary police detectives investigating election fraud", but there's no computer touching the script, direction, or any decisions the department heads are taking. And studios are already hitting the diminishing returns of ingesting a bunch of screenplays to spit out mediocre scripts (at enormous and rising cost).
Feel free to offer counter-examples, just so we're still staying with arm's length of reality.
Really? Who is that exactly? Or is Reed Hastings just a different money guy, which the entertainment business has always had?
Aside from money, where is the actual tech that Netflix is using to "dominate" the industry? And how does it manifest? I know one specific example that you probably have no idea about, and it has nothing to do with actually making a movie.
If you're just going by ratings/buzz Lisa Bonet and Phylicia Rashad are contenders, but this is a weird definition of "famous" that is just "who's popular right now ignoring history and context". Like, Betty White exists.
Second, show the company where the technologists made the same thing the old school was making, and better. Amazon retail disrupted but didn't destroy physical retail, and certainly didn't replace it, and certainly isn't better at it. Same with AirBnB => hotels, Google/FB => advertising (disrupted with a new type of product... a tech product... but have no presence in literally every other form of the industry).
The closest thing you can get to dominance is Netflix making movies and television, and there's no evidence that they make better movies and television than the old school. Technologies can use money to leverage their position against slow-moving industry players, but in this specific discussion, we've seen nothing to suggest that eventually AI could make a better film than human beings.
If you were actually in the industry you'd know that the top decisionmakers at Netflix have decreasing respect from the creative community, increasing reputation for being a cheap and difficult company to work with, and are generally regarded as a mill that creates a lot of mediocre to slightly-above-average content that gets swept aside every 3-6 months for the next wave of grist. Profitable certainly but nowhere close to being a leader in quality, for as much money as they've thrown at trying to win that Best Picture trophy (and spoiler: Emilia Perez isn't gonna do it this year either).
If you don't know anything about Hollywood, maybe you should stay out of a discussion about Hollywood.
Amazon, Netflix, Quibi (a disaster run by a non-technologist), AirBnB, Google, Facebook. These are websites and apps.
I don't think Griffin is particularly illustrative of anything except it's nice to ask your grammy for $100K when you're a teenager.
Feel free to listen to a NotebookLM podcast of a PG post, but if you think any AI is going to create an original thought that catches fire like the MCU, Call Her Daddy, Succession, cumtown, Hamilton, Rogan, Inside Out, Serial, or Wicked, maybe it's you that should stay out of the conversation when it comes to creativity.
Put on an album by SZA, boygenius, Oliva Rodrigo, Chappell Roan, Mitski, Laufey, Anohni and the Johnsons, Lana Del Rey, Billie Eilish, Lizzo, Kendrick Lamar, Everything Everything, Jordan Rakei, Beyoncé, Charlie XCX, English Teacher, Maggie Rogers, Shaboozey, Chris Stapleton, Vistas, St Vincent, Vince Staples, Waxahatchee, Tems, Vampire Weekend, Anderson .Paak, Tank & the Bangas...
If you're have trouble finding stuff, just subscribe to NPR's Tiny Desk channel on YouTube and go from there.
Honestly, the complainers are coming across as out of touch.
On the 2023 list I'd put about 10-11 songs as "great", but that's without the benefit of hindsight of which songs are still played and remembered decades later. And there's going to be songs on the 2023 list (like a lot of the Morgan Wallen stuff) that I don't particularly like but will be heard many times in the future... Personally I hate "Last Night" but it's going to be around for a while.
The media class now has months of things to talk about wrt the Dems. The less screentime Trump gets the better, and his convention is already over and spent zero time attacking the actual candidate.