1,504 karma · joined April 9, 2021
I think a lot of people, including, I presume, most who willingly choose to study literature, enjoy reading as an activity unto itself and so don't feel the need to add additional distractions. Not everybody finds sitting down and "ploughing through" (how disdainful a phrase!) a book unappealing.
I can't tell if you're serious or not, but this would be like saying you've "watched" a movie because you had it on your second monitor while you were playing counter strike. There's a fundamental difference in hearing a book read to you and actually listening and engaging with the audio on a meaningful level. The latter requires focus, and you're not going to be able to do that if you're gaming away at the same time.
Put another way, why would someone who presumably loves reading bother studying literature if they don't actually care enough to pay attention to the books they supposedly loved?
The key is simply sticking with it over the long term. A general rule I find rings true is that people tend to overestimate their improvement over a month, but underestimate improvement over a year.
Could use some color, but it serves its purpose and I don't find it sacrifices readability as much as some others in this thread are claiming.
If you derive enjoyment from actually assembling the castle, you lose out on that by using the wand that makes it happen instantly. Sure wand's castles may be larger, but you don't put a Lego castle together for the finished product.
"I was an extraterrestrial taking notes on the problems of Earth. Finding pizza in your area was a problem. People being mean to you because you were wearing your AirPods at dinner was a problem. Going on vacation was a problem because the hotels would force you to find the light switches. Elders were a problem. (They never took their medicine.) Loneliness was a problem, but loneliness had a solution, and the solution was conversation. But don’t talk with your elders, and not with the front desk, and certainly not with the man on the corner, though he might know where the pizza is. (“Noise-canceling is great, especially if you live urban,” said the earbuds guy. “There’s a lot of world out there.”) Idle chitchat was a snag in daily living. We’d rather slip through the world as silent as a burglar, seen by no one except our devices."
[1] https://www.nplusonemag.com/issue-47/essays/an-age-of-hypera...
I have a hard time seeing how the market expands beyond its current demographic, many (but not all) of whom meld the worst traits of the finance and tech industries and only further alienate themselves from the mainstream in doing so.
I understand not totally subjugating your personal identity to ideology, but I'm struggling to see how someone could practically completely separate these two things. To use a somewhat trite but personal example, I'm gay, so that aspect of my identity will necessarily affect my perspective on certain issues. Conversely if someone were to convince me rationally that homosexuality was wrong, it would necessitate a pretty dramatic change of my identity no?
Not every issue exists on that clear a spectrum, but you can imagine the views necessitated by different pieces of personal identity adding up over a lifetime.
It's one of the reasons a lot of residential development, especially suburban development of the last 40 years, looks as bad as it does. Little to no architectural thought goes into many new homes beyond what's easiest to build.
2. Sadly the article neglects to mention Haroumi Hosono, whose vocals are also on the track. If you haven't checked out his work, either solo or with YMO, it's well worth a listen.
In your use case, the LLM can be a great tool to get a start, but it's much easier to accept that output uncritically, which is especially problematic because it bears the biases of the training corpus. Sure, you can mitigate that issue if you're driven by the intellectual curiosity to dig deeper, which it seems you are, but at that point aren't you doing the kind of leisure research that the original post is talking about anyway? You're just using the initial steps to discover the "foundational texts", as the original post puts it, of the field. The LLM step becomes less material to the follow-up reading you've done after the fact.
Many, perhaps even most people will not make it to the second step. I see the lack of intellectual curiosity as a problem of focus more than anything else, and in my experience the overly rich media landscape of the internet does not concentrate that focus in most people.
I do struggle sometimes to let hobbies be hobbies as a result of having such a clear path for general improvement, but just like you express in your writing here, the daily practice/routine is immensely useful. Congrats on a great year!
Think about what a portfolio site demonstrates. For a front end developer, these sites provide an opportunity to flex your design intuition and raw development skills by putting something flashy together. Your site could make a difference because it's demonstrating that you can do the day-to-day tasks you're being hired to do.
For a back end developer, the results of our work are less immediately obvious for someone who isn't already technically inclined, and by the time you talk to someone like that, you've already cleared the initial screening bar that a portfolio site would get a front end dev past. There's no real visual component to the work I do, so a site doesn't demonstrate anything related to my job. I still maintain a personal site with some rough details, but I don't think it's really helpful for my career.
I would also consider that front end devs generally enjoy working on the front end, while back end devs generally enjoy their work on the back end. So I'm way less likely to do web dev in my spare time, especially since 90% of portfolio sites have no back end whatsoever.
Is the model profitable? For some. Good for society? Perhaps not.
EDIT: also want to concur with others here that the problem here isn't necessarily AI but how we're selecting what music we're listening to. In the book, Pelly specifically identifies channels like Chilled Cow as being part of the watering down of this genre, since they have a similar incentive to play music at as low a cost to the channel as possible versus playing the best music available to them.
That said, perhaps we should view these "rules" as laying a foundation for people who know nothing. I see the equivalent in fashion all the time, where breaking the standard set of fashion "rules" without knowing them in the first place can lead to disaster. Only by internalizing the rules can you then subvert them successfully.
It's a view I sympathize with, even though I'm reticent to apply it to specific cases like this. Rather, when we look at these systems, we should treat their demands as prescriptive, rather than descriptive. Spotify is an excellent example. Say the recommendation algorithm starts recommending a genre, but not for any aesthetic reason. Over time other musicians that internalize the aesthetics associated with that genre and will succeed because they also get picked up by the algorithm. These artists are succeeding by making algorithm bait, but they're also being authentic because the algorithm they're courting shaped their sensibilities as artists and as people.
The article isn't making a novel observation that people are shaped by the systems around them but applying that idea to the creator economy.
One area where NU does fall down IMO is that they offer "combined majors" with CS and other subjects that eschew some of these courses to make room for the other half of the major, which will be an unrelated subject. This offering is a mistake because you do miss out on some key concepts. If you're working with a pure CS major, however, they were required to learn all these concepts.
Like others in this thread are saying, though, it would be an incredible boon for people who use hearing aids.
> I have purchased tons of music on it, and the articles have not made any difference to me as a user at all
n=1, but that’s true of my perspective as well so perhaps it’s a wash. I do think the editorial staff were more important to some genres than others.
> they sure like to sell their companies to them
I might suggest that this is a case where upper management’s desires directly conflict with the people making the noise (staff and users)