It’s also a Back To The Future (1985) reference! (The Delorean had to reach 88mph in order to time travel.) It captures the “new demo for a 1980s computer” situation on several levels.
656 karma · joined January 31, 2020
It’s also a Back To The Future (1985) reference! (The Delorean had to reach 88mph in order to time travel.) It captures the “new demo for a 1980s computer” situation on several levels.
How do the individual stats look at the end of the month/quarter/Musk Layoff Review Period when these kinds of days are relatively common?
Edit: and my friends generally do not suggest I monetize my creative hobbies :)
Source: am British
You might get some seemingly strange or flippant reactions to this, and since you wrote it, I figured you might benefit from some insight into why some people might react negatively.
GP pointed out a tiny bug in good faith. Your reply asking them to fix the bug they found in your code comes across (to me, I'm sure not everyone sees it this way!) as a little presumptuous or entitled, I think because there's no expectation in this context that GP was signing up to "do work" (check out the repo, make a change, submit a PR to you) for your project.
A less... feather-ruffling response might have thanked GP for the bug report and maybe also mentioned the repo link in case GP or anyone would like to contribute, vs. straight-up asking GP to do the work.
Maybe someone else can weigh in with more detail. Or disagree vehemently with the vibes I'm trying to illuminate :)
Now I wonder if you meant CPC464 or CPC664 :)
(Probably the former, as the 664 was relatively rare, at least in my experience. I’m not sure I ever saw one.)
I'm a man, and I sometimes use woman emojis because I like the look, or because it's fun. Do either of those count as "a specific reason to do so" in your framing? If not, consider how well your observations actually generalize to the world, and thus the universality of your statements.
I support not throwing out a real, original copy, though :-)
As I get older I enjoy reading 30+ year old technical books and learning more about how those old systems worked, more than I do learning the latest framework or language features. It's intrinsically satisfying, but not so great for the career...
Or the PSOne, which was a cost-reduced late model PlayStation (1) :-)
I think I only heard in it in some African American English accents when I first came here, but now it’s common among younger Americans more generally. I’ve also heard it applied to other consonants - you can replace quite a few of them with a glottal stop and still be understood :D
Edit: Fan of Borland products in the 90s!
I understood some of the design decisions and tradeoffs for why it works the way it does, but I didn't like it. I certainly wouldn't reach for it for a personal project. Possibly I still just didn't "get it". I've used dozens* of build systems at this point, but hey.
* possibly exaggerating
(Prompt: "A horse delivering mail in New York City, 1870")
This is the first time I've played with a text-to-image model. I was aware that so-called "prompt engineering" can be tricky, but it's wild to see it for myself. A single space character can be the difference between garbage (or nightmare-fuel) output and output that captures the spirit of the prompt pretty well.
All credit to @issa's ear. And yes, while you'd be unlikely to have encountered this bug if you were just telling a good existing synth to play an F, it's cool that you implemented the synth from scratch! Whether it's a good choice depends on the project goals.
[0] https://github.com/JNKKKK/pianochord.io/blob/master/src/libs...
The other notes sound OK. The A and B might be a tiny bit flat too but my ear isn't good enough, and if they're flat they're nowhere near as far off as the F. OP, how are you specifying notes/pitches to the synthesizer?
Example from Google image search: https://www.musikalessons.com/blog/wp-content/uploads/2017/0... . At least this one uses maj7 for major 7, rather than M7 or △7 :)
It sounds like FM synthesis[0] to me (so either an embedded FM software synthesizer or simply replaying samples of FM synthesis), so the timbre is quite unlike a "real" piano or PCM samples of a real piano. Timbre is a kind of "color" of "quality" of a sound - in my head it's similar to how different materials feel different to the touch. A violin and a trumpet can play the same "note" but their sounds have very different timbres. An apple and a ball might both appear red but have different surface textures.
The "piano" in the app sounds like the piano patches (presets) on FM-based synthesizers from the 1980s[1], where the designers tried to approximate the timbre of a piano using the limited (but fun!) possibilities of FM, while the transients and harmonics produced by a real acoustic piano are more complex.
The pitches and temperament sound OK to me, so I think what you are are hearing is the timbre. That is, the app is playing the "right" notes, but it's as if you're hearing a "different instrument", albeit one that is an early digital approximation of a piano sound.
[0] https://en.wikipedia.org/wiki/Frequency_modulation_synthesis
[1] e.g. the Yamaha DX7; here's one of its "piano" sounds for comparison: https://www.youtube.com/watch?v=F3rrjQtQe5A&t=214s
* The label "Rising octave" on the octave-up button doesn't make sense. Maybe you meant "Higher octave", assuming the "Lower" in the "Lower octave" button is the adjective form of "lower". If "Lower" is acting as a verb, however, then "Raise octave" would be consistent, but I don't think it sounds very natural. "Octave up" and "Octave down" might be more natural based on my recollection of music software and hardware I've used.
* As another poster noted, the (FM?) synthesizer is clipping badly when it plays chords. It's noticeable on basic 3-note triads, but it's much worse on chords with many extension tones, like a C13.
Thanks for sharing.
Not recommended for your present-day productivity (unless you’re making retro games!)