2,483 karma · joined February 7, 2012
I don't use throwaways.
How can some people think it’s amazing and has completely changed how they work, while for me it makes mistakes that a static analyser would catch? It’s not like I’m doing anything remarkable, for the past couple of months I’ve been doing fairly standard web dev and it can’t even fix basic problems with HTML. It will suggest things that just don’t work at all and my IDE catches, it invents APIs for packages.
One guy I work with uses it extensively and what it produces is essentially black boxes. If I find a problem with something “he” (or rather ChatGPT) has produced it takes him ages to commune with the machine spirit again to figure out how to fix it, and then he still doesn’t understand it.
I can’t help but see this as a time-bomb, how much completely inscrutable shite are these tools producing? In five years are we going to end up with a bunch of “senior engineers” who don’t actually understand what they’re doing?
Before people cry “o tempora o mores” at me and make parallels with the introduction of high-level languages, at least in order to write in a high-level language you need some basic understanding of the logic that is being executed.
Maybe in the past the fact that someone had survived long enough to go bald or grow a big beard would signal that they had the skill or hardiness to avoid dying young, which might make them more attractive and likely to pass on the gene.
I think that's when you really know a piece, when you can play it incredibly slowly. Paradoxically it's easy to play quickly and just let your fingers play out their muscle memory, playing something really slowly is the challenge.
For many people it's become non-negotiable that a job offer remote working. If where I worked mandated return-to-office I would immediately begin looking for somewhere else to work.
It was never a visual manifestation of a recognisable shape, it was just a sense that there was another consciousness in the room with me. I never saw machine elves or anything, I just felt strongly that there was a benevolent female presence in the corner of the room. Why I felt it was female I can't say but in the moment I was absolutely certain.
I am almost pathologically sceptical and I have absolutely zero belief in anything metaphysical. I believe that capability is simply not within me. I can see how other people would believe that there is something beyond though.
Not to mention the fact that the reason wealthy countries have got to this stage of development is often because they are exporting the negative externalities associated with this lifestyle to poor countries.
It was a big story in the UK for a while, Johnson also attended a party at Lebedev’s villa in Italy after a NATO conference.
I realise it’s also another estimate but based on my cycling exercises Garmin is estimating my VO2 max at 55 and it does show a progression in my values.
> In its majestic equality, the law forbids rich and poor alike to sleep under bridges, beg in the streets and steal loaves of bread.
"Assay" came via Norman, "essay" came via French.
There are lots of other examples like this where one word came from Norman and the other from French, e.g. warden + guardian, warranty + guarantee
I'm still working my way through Sor etudes so I learn the fretboard.
My main resources for baroque tabs would be:
- classtab.org - classclef.com
Of the two I would say classtab is the more accurate.
For example, here's the tab for the prelude from 998: https://www.classtab.org/bach_js_bwv0998_lute_suite_in_eb_1_...
Scroll down to the drop-D one, that's the one I play.
With baroque music I find legato is so incredibly important so really concentrate on fingerings that let the notes ring out. There may frequently be an easier fingering to grab but which means you have to stop the bass note too early, so it takes a bit of experimentation to figure it out.
It's very difficult but incredibly rewarding when you manage to produce the counterpoint yourself, I'm smiling to myself the whole time while playing.
Always a pleasure to listen to David Russell.
My favourite of his is his arrangement of Handel's passacaglia from HWV 432: https://www.youtube.com/watch?v=-b3D0t1DiEg
If it's baroque don't fix it.
I don't know why I didn't appreciate it before, I guess I just never gave Bach a chance, but it's some of the most amazing stuff I've ever heard. The counterpoint that makes it feel like the music is spiralling around you is just otherworldly.