> My point is mostly that artist occupy a strange spot in our culture. They are the only “trade” that I know of that can fabricate items that have a value beyond their utility.
Thank you for the clarification. You're right artistic success usually requires enduring arduous effort. Art, well, visual art, is making something out of very little. Hard to explain why the value of art is quirky. The word "value" is ambiguous, has multiple meanings.
I think paintings, prints, etc., are approximate expressions of an artist's visual imagination. Material value of painted canvas is negligible, price can be assigned by dealers and other players. Real value is individual, created when a viewer strongly resonates with an artistic expression. OTOH market/art-world value is mutable. I've often remarked that it won't be decided which of the art created today is "good" until 50 years after we're all gone.
> The most important thing is creating.
It's true, motivation to make art is more than selling art. A very successful artist in his sixties told me he feels a need to create art whether it sells or not. I've donated prints to schools, hospitals, libraries, etc. It's gratifying to know my work will be around long after I've passed on. That's more important to me than money.
I visited your uncle's website. His kinetics are superb, entertaining but also expressing visually complex, 4 (or more) dimensional ideas. Translating to concrete form is an admirable accomplishment.
BTW I think industrial design is underappreciated. Shape, color, etc., of utilitarian objects has to be determined by at least one real person. Some of these objects are endowed with subtle beauty. Working with beautiful things makes the labor less burdensome.