54,856 karma · joined October 11, 2007
Was this title eligible for class action status in the recent Anthropic scanning case? I know people who popped up on the list decades after writing obscure or forgotten technical titles. The estimated payout is $3k per title, usually split between publisher and author.
https://www.authorsalliance.org/2025/09/07/the-anthropic-set...
There are linotype machines in museums, and sometimes they fire them up for demonstrations. There are very few printers left who actually know how to use them, the operator I saw was 90 years old!
Former newspaper editor here. We took it for granted at the time, but the orchestration of different teams on a daily basis, with all kinds of cascading workflows and triggers, was something to behold. Editorial, design, special sections, ads, production, printing ... plus all of the smaller teams (copy desk, sports, etc.) and ad-hoc collaborations for instance involving a special event or major news story.
You'd go home late (or more often than not in those days, to the bar) feeling good about what your team had just shipped and looking forward to getting the hard copy early the next morning (sometimes when leaving said bar!). And then you'd start all over again around 11 am. It was far more intense than magazine or book publishing, which I got into later.
And this was in the 90s. Technology was making things faster, but there were still a lot of older analog systems in place including photography darkrooms. Once I even had to call in a breaking late story over a pay phone, dictating it to the editor on duty. Laptops were rare and expensive, and even the people who used them typically saved to a floppy which would be brought in to the newsroom later to be edited.
We had primitive terminal-based word processors (we called it "CText" but I can't locate any reference to it now) and I got started just as Quark Xpress entered the design workflow, replacing xacto knives and bits of paper and opaque plastic that was somehow imaged and sent to the printers. If you went back 30 years earlier, they were still using linotype.
I'm not. My first car was a used late-70s Ford V6, which got 15mpg on a good day. The car was made 5 years after the first Middle East oil shock, and clearly Detroit was still making boats for millions of people who wanted them.
I mean, every car manufacturer engineers the sound of the freaking doors closing. How can they not appreciate the importance of engine sound?
Pretty much what my spouse calls "everything soup" or "refrigerator stew"
https://www.facebook.com/BostonPatrolmen/posts/pfbid0Vy96sXd...
https://www.universalhub.com/2026/police-union-declares-war-...
I do, too.
My rule of thumb for anything longer than two paragraphs is publish on my personal blog first and then use LinkedIn's scheduling feature to post it in the future (LinkedIn gives you a 3 month window, but you can reschedule indefinitely)
No. The court specifically determined that the Internet Archive was guilty of unauthorized copying. It was not simply an unfounded or unproven allegation. The Authors Guild, the National Writers Union, the European Writers Council, and the Society of Authors in the UK all came out against the Internet Archive, and supported the suit.
Each new restriction limits the archive’s ability to act as a comprehensive backstop.
This self-inflicted damage to the wayback machine is the real tragedy of this entire affair. When IA was asked to stop CDL - many times - founder Brewster Kahle continued. The National Writers Union tried to open a dialogue as early as 2010 but was ignored:
The Internet Archive says it would rather talk with writers individually than talk to the NWU or other writers’ organizations. But requests by NWU members to talk to or meet with the Internet Archive have been ignored or rebuffed.
https://nwu.org/nwu-denounces-cdl/
When the requests to abandon CDL turned into demands, Kahle dug in his heels. When the inevitable lawsuits followed, and IA lost, he insisted that he was still in the right and plowed ahead with appeals. And here we are today.
Here's my AI theory: someone is purchasing lots of books en masse to be packaged and sold for LLM training to multiple clients (not just a single company like Anthropic), but only scanning once and then reselling the scans while preserving a "chain of custody" proof that individual copies were purchased. Claude shot that idea down for reasons related to the intricacies of US first sale doctrine and copyright law, but had an ambiguous response when I proposed that it might be Chinese companies doing something similar for training AI models that are intended for possible resale to overseas markets.
Is there some evidence for this claim? Lepore in her reply says "I guess Bezos is a big Robert Heinlein fan" and then there is a lot of talk about Asimov. I also read a very old article about Amazon, and the journalist noted that a book by David Niven was the only one on Bezos' office bookshelf.
But, so what? I read Heinlein and Niven and Asimov when I was young, too, along with a bunch of much pulpier stuff (James P. Hogan, anyone?). Does that make me and millions of other science fiction fans technocratic libertarians? If not, why do people regularly point to science fiction as the source of these three men's libertarian leanings?
For Blade Runner director's cut, I had mixed feelings. The unicorn scenes and some other added footage helped. I thought getting rid of Deckard's inner thoughts VO was a mistake.
In the scene at the noodle stall, it clarified a lot of things such as the language people were speaking. The VO after the dancer's shooting was also revealing in a way that interpreting the expression on his face was not.
The Roland MC-8 MicroComposer by the Roland Corporation was introduced in early 1977 at a list price of US$4,795 (¥1,200,000 JPY) ... it was considered revolutionary at the time, introducing features such as a keypad to enter note information and 16 kilobytes of random access memory which allowed a maximum sequence length of 5200 notes, a huge step forward from the 8-16 step sequencers ... Roland switched to the then brand new Intel 8080A 8-bit microprocessor and increased the RAM from 512 bytes to 16KB, allowing storage of over 5,300 notes, which could be entered via the calculator keyboard (the preferred method) or recorded in real-time (not so easy). Backup was via cassette and could take 45 minutes to an hour for a three- or four-minute piece of music to back up and verify. The memory was volatile, so a loss of power meant complete loss of data.
https://en.wikipedia.org/wiki/Roland_MC-8_Microcomposer
Only 200 were made, but it's possible he purchased it second-hand, as he had done for the Moog that was once owned by Tangerine Dream.
ETA: he did eventually learn how to read music:
“I learnt to read music after I bought the Roland MC8 Microcomposer, because it then became essential for me. … I learnt music by ear and have picked up most of my technical knowledge through the sessions and gigs.”
https://www.muzines.co.uk/articles/ronnys-electro-music-caba...
The "featured image" in Wordpress is what gets shown on the index page, in shared social posts, and other contexts. And certainly, the algorithms favor such posts over pure text posts, even if the text content in the spartan post is far better.
There are other factors at play, too. Many bloggers are lazy, some are severely time constrained, a few are fearful of legal repercussions associated with copying images off the Internet, and a majority are creatively or technically incapable of making their own images to include on a personal blog post.
It was always a hard sell, but now the math for publishing nonfiction doesn’t make sense. I canceled one project, the fourth edition of my most popular title, during the preproduction phase. It will never see the light of day.
I have also been sitting on one novel manuscript and many short stories for the past five years or so, and have been kind of frozen with reluctance to publish for the reasons Howey cites in his blog. It was already hard enough to get noticed for new fiction amongst a sea of self published works. Short stories are especially hard to sell, even in genres like science fiction where they once flourished. AI opened the supply firehose further while sowing doubt amongst readers about the provenance of works published after 2022.
On the other hand, I see that AI offers a path forward to tackle many of the structural problems in the novel manuscript that my editor flagged. But if I leverage AI to fix it, the finished book will always be tainted by the fact that this is not a pure work of human authored fiction.
What are the drawbacks to reverting to this type web publishing? That's how I used to do things before publishing tools and CMS and platforms took over, but I know the security landscape has changed quite a bit, and such pages are always in the deep long tail of Google results (and therefore practically invisible to AI summaries, which often surface complete junk as sources).
At one of the Uighur bazaars they were cooking all kinds of breads and skewered meat. I remember asking one of the younger guys about one that looked like a toasted puff pastry and he called it 烤包子 in Mandarin, i.e. "roasted dumpling." It had lamb inside, and it was fantastic, like a lighter version of a Cornish pasty.
It sounds like there may be liability issues as well for people visiting in the dark. The article mentioned the state legislature of New Mexico evaluated a plan to purchase it, but abandoned it.
https://storage.courtlistener.com/recap/gov.uscourts.cand.43...
The big deal for publishers and authors is the payout per eligible title is $3k. For a traditional publishing contract involving one author, the amount will be split down the middle.
The other thing which caught my eye is the judge slashed the class counsel's fee by half, from 12.5% ($187.5m) to 6.8% ($101m). The class counsel's unreimbursed litigation expenses were $2.6m.
The three class representatives get just $15k each.
How is the author so sure that people or companies weren’t already using early tools at that time?
In my state, it's one of the allowed document types for proof of social security number, required to get a real ID drivers license.
https://www.mass.gov/doc/ma-real-id-documents-checklist/down...
I'm amazed that no one is talking about proposals that are surely being discussed in Washington and pushed by SV lobbyists to restrict Chinese models on national security grounds, or other some other basis.
The belief that Bytedance could engineer a finger on the algorithmic scales to serve the interests of the Chinese Communist Party led to a lot of debate in Washington, and ultimately resulted in TikTok being divested from its Chinese owners. Huawei is shut out from the U.S. market, which limits its business even in markets where it's not banned because it's effectively stamped with a scarlet letter.
IMHO, Chinese models are headed for a similar fate or at least a showdown in Washington or the courts because they are supported and/or controlled by entities which ultimately serve the CCP.
It doesn't anymore, if it ever did. Read the shareholder letters over the last 5 years like this one (https://www.aboutamazon.com/news/company-news/amazon-ceo-and...). Move fast. Embrace AI in every corner of the company. Lay off thousands of people like we're a lean startup. Oh, but make sure to have a senior engineer check any AI code you want to push to production (https://news.ycombinator.com/item?id=47323017).
Amazon has made some impressive software, but there's also a ton of junk getting shipped. Customers and "partners" have to deal with it every single day. Sometimes it's "oops"-level stuff like this, at other times it's AWS regions going dark for hours.
Browse the Amazon seller forums (https://sellercentral.amazon.com/seller-forums/discussions?s...). Every day there are stories about back-end things breaking, or AIs overriding attributes or flagging random items as pesticides. The receiving errors at Amazon warehouses are incredible, and take months and multiple support tickets to fix.
His memoir presents a vivid but not fantastic view of his life in the suburbs of southeast England, like a British Cheever. I felt surprised but shouldn't have; many of the greats of science fiction or fantasy or fantastic fiction had harrowing experiences as youths and then led lives that seem "normal" while exercising their trauma through the written word. Vonnegut, Tolkien, Wolfe ...