Citing Black Panther as an example of a departure from
> Well-known artistic depictions of the future [...] showing a marked lack of diversity.
Black Panther was a purely american product, Comic book superhero is the most stale and rehashed sub-genre of science-fiction from the last century, and this author uses it to show a "blossoming" of new diverse and imaginative production from "around the world"?
Afrofuturism, reaching back from W. E. B. Du Bois with The Comet to Black Panther, Nnedi Okorafor, ALL of them american products, would not be considered the "West"? African-american culture is not western?
> “But this phenomenon, which is now making its voice heard from areas like China or Africa, also has a much longer history that precedes today’s boom.”
This whole article seems to be written from the point of vue of someone who have been blind for decades, discovering that other culture exists all around. Reaching outside their bubble seems progressive and forward-thinking, but this surprise and this impression of being so avant-gardiste only serves to show how bigoted they were for so long.
> Well-known artistic depictions of the future have traditionally been regarded as the preserve of the West, and have shown a marked lack of diversity.
I can appreciate the prudent use of "well-known" here, because science-fiction has been extremely diverse and progressive from the beginning. If anything however, there is a backlash from alt-right cliques to colonize the genre, with the recent attempts to subvert the Hugo Awards[1]. This seems to go against the narrative of this article, but I think this is more important (and disturbing). That Cixin have won the award recently does not mean that science fiction is becoming more diverse, only that foreign authors have been welcomed into the fold.
So typical, the only boom that matters is the one playing into the US cultural codes, one face of imperialism. Only there it is pretending to be diversity.
[1]: https://www.theguardian.com/books/2015/apr/17/hugo-award-nom...