673 karma · joined December 10, 2016
Just like pacifism, abiding by the international law in this case will only serve to embolden the totalitarian regimes, which neither desire peace, nor obey the law.
I think the current anemic levels of support are insufficient, and the restrictions imposed on Ukraine in the name of "escalation management" are outright criminal, but even this level support is better than nothing. We are talking about war of extermination here.
The west can definitely force Ukraine to sign a humiliating treaty, ceding land and freezing the conflict, there's plenty of leverage for that. If that happens, the days of Ukraine as an independent state are numbered - a new invasion will happen as soon as russians rebuild their forces, and this time it will be done right. People will continue to die even if the country gets erased from the map, just maybe not in the trenches, but in the torture chambers and prisons instead.
I can't take in good faith this whole "suffering" rhetorics -- not containing the imperialistic expansionist nuclear-armed empire is sure to bring more suffering to the world.
The "multiparty democracy system in Taiwan is not seen as a positive thing" by whom? The Taiwanese? The election results from that country have shown quite the opposite.
Yet, the countries that do not belong to this increasingly obsolete club of waning colonial powers certainly do consider the West an adversary and a hegemon to be displaced.
The museums are deathly afraid of losing control over their collections, it's their main income generator. Why would the museum admin even bother going through with the 3D scanning projects, if they don't get to keep at least some commercial rights?
I am completely supportive of the release of the cultural heritage digitisations into the public domain, and I think mandating a release under the non-commercial license would be a good solution. Equally, I think it should be possible to license these for commercial use, at a reasonable price.
What I was trying to say with my "privatization" bit, is that the author did not intend to buy the scans from the museum, but definitely intends to monetize them, and sell the derived work, without commitment to put that work into the public domain. For me this very obvious profit motive seems incompatible with the image of the defender of the public rights that the author tries to cultivate.
And once again, I think we have to take into account that forcing the public institutions to give away their 3D scans, without cutting them in at least a little bit, will simply put a stop to the scanning campaigns.
I know that the story of an independent artist fighting a big bureaucratic public institutions is something that would get a lot of sympathy here, but this really isn't that much of a "David and Goliath" kind of tale. French heritage and research entities are underfunded and understaffed, they don't have competent lawyers, or indeed funding to afford those, as we can clearly see from this case. One litigation-happy American can run circles around them and profit from it too.
If as soon as the heritage work gets 3D scanned with French public funds, it will immediately get scooped and monetized by private sector, wouldn't the ultimate outcome be that less objects get scanned? Why would the museums even bother fighting for the digitization grant funds?
I think the author is going overboard by framing this as some kind of righteous crusade for the public access. After all, he is interested in making profit from this. Sure, public funding paid for it, so then why should the profits be privatized?
Sorry, did you forget the Korean war? Sure, Sino-Indian and Sino-Vietnamese wars were much smaller by comparison, but also very real conflicts.
I absolutely disagree with this claim. Forced labor is inherently inefficient and barely cost-effective, especially in the modern age of mechanisation and the lessons of soviet GULAGs proved just as much. Especially so in China, which in no way suffers from a shortage of labor force.