4,205 karma · joined January 28, 2024
It's also a critique of writing, written by Plato, to impress on us that Socrates was great orator (or arguer) and was better that way. But it's not somebody's reaction to the invention of writing. It's an imagined reaction to the invention of writing.
But yeah, more familiar pollutants are dirty or caustic or radioactive, and chew holes in things or give you lung diseases or poison the wildlife, things like that, so it was a little jarring. Though I suppose we had CFCs, they didn't do anything directly harmful either.
I mean, OK, there's plenty of further tricky sci-fi dilemmas along these lines. But I was interested in pain in the context of animal rights, obviously, this being a thread about whales.
Leaving that aside, is this really a great and clever question? In version 2, your minds are swapped, so it's the same question. The difference is that you have been "driven crazy" and "deluded", but in what sense? If the objective is to avoid yourself being tortured, it's unclear which one is yourself, simply because the question relies on the unclear fictional process of "making you believe you're the other person", and the question itself implies you shouldn't trust that process.
It could be made shorter: "A mad scientist comes along and does something mysterious, so that you might not be yourself any more! So, are you? Ah, you don't know! Gotcha!"
The original is in Problems of the Self, 1973. (Or it's an essay titled The Self and The Future.) I've got hold of that, am reading. The original version is really long. The first six pages are just really making a meal out of describing all the ramifications of the simple sci-fi concept of a body swap.
Yes, unfortunately it seems to be not very good. "He now further adds that at the moment of torture I shall not only not remember the things I am now in a position to remember, but will have a different set of impressions of my past, quite different from the memories I now have. I do not think that this would cheer me up, either." So, the problem with this is that it's nonsense, like saying "You are not you, but you are! Now if something happens to that person, does it happen to you?" Well I don't know, Bernard, it depends what your rather silly words mean. He's just playing the shell game with the word I.
Then at the end (ten pages later) there's a messier version: "he could have gone on and produced two persons each with A-like character and memories, as well as one or two with B-like characteristics". So it seems that the confusion and non-neatness of the swap is the whole point. Thing is, I'm not even very concerned which one is me. I suppose, alright, I do prefer me-like characteristics. So I'll take the half-dozen clones who seem vaguely right, that's good enough for me. Whatever.
Bear in mind that the "version of me" is me, and cognitively is in agreement that this is fine. Instinctively I would very much not think it was fine while undergoing the pain, but I'd also think I was wrong about that at the same time. I don't suppose I'd be all stoic about it like Giles Corey*, but it's the cognitive side of me that has the valid opinion and eventually the executive function.
*Squashed to death in Salem, 1692
Here's an article about orcas: https://www.bbc.co.uk/news/science-environment-64559047
It seems that an orca invests so much in a son that it's like an all-or-nothing one way ticket to pass her genes on. (She might get second try later, but the probability is much lower.)
The same is true if the thing they both want is a stale cupcake bought from a gas station. But this still doesn't mean that person B wants to be presented with person A's stale thing, because the overhead of the social transaction isn't worth the object. Which is to say, it makes a terrible gift.
I think there are lots of people who value art for the ideas of the artist. There are also lots of people who think that they value something like quality of brushstrokes, and these are the same people, mostly. I mean they don't know what they like it for, but the raw graphical data is what's in front of them, so they ascribe their preference to its (supposedly) measurable qualities.
Hence this thing about I can tell it's AI because its graphical quality is bad. In a way that's correct though! The artist's ideas are hinted at in the brushstrokes (or whatever other graphical aspects). In the gen AI picture you get hints of a phony mind. It becomes hollow when you know that, or when you think you know that. It's not delivering the cultural experience, if the hints you pick up on are false.
Immediate glamor followed by gradual disappointment is AI output all over.