426 karma · joined April 6, 2012
Commercial players are likely to use the skill for transposing Bb treble lead sheets, or playing in a pit. Tenor clef shows up in modern musicals regularly.
Not to mention being shunned from quartet or choir opportunities that are the basis of networking in the industry.
I can understand how people did it then - I was one of them - but I don't understand how they would do it now.
Hot shards were definitely an issue, though.
Good luck!
Relevant aside: Alan Kaplan has been recording Jacob Collier transcriptions for his YouTube channel. Check out “Moon River”.
You may be surprised at how quiet and low power these Mellanox switches can be.
Ruminating a bit:
Cheaper blades are replaced more often with use and can’t generally be sharpened; SawStop tech doesn’t change the lifetime of a blade unless an activation happens. So, if you’re already willing to run to the box store for another blade semi-regularly, whether one survives activation perhaps isn’t material?
On the other hand, somebody who doesn’t regularly use their saw is probably both more price conscious and less likely to need sharpening/replacement often. I assume they care most about whether an activation forces them to buy a new blade (and a $100 brake). I suspect those are the people who propagate “SawStop = trashed blade”. For them, it’s true.
The missing teeth need to be replaced and the plate needs to be re-checked for runout, but most carbide-toothed blades are repairable.
Just putting out there: the popular idea that blades are always trash after an activation is not true.
That said, cheap big box store blades without carbide teeth will die a horrible death.