benbreen

I’m currently at the Archaeological Museum in Istanbul. Was just thinking of this post ten minutes ago when I saw what the plaque described as a “humanoid-lion hybrid creature” from the Neo-Hittite empire in 9th century BCE. In fact lion-men of various sorts are everywhere in the more ancient parts of the museum. Makes me wonder about potential continuity, as distant as this is.

My daughters are growing up bilingual in Persian and English. Totally fascinating to find the cognates; many are surprisingly close still (daughter/dokhtar, star/setare, cow/gav). It’s fun feeling like I could communicate basic ideas to a proto Indo European speaker based on those really distant cognates.

Great idea for a vibe coded project that is actually creative/original. Got in the top 4% as a professional historian. Would be interesting to see the professions of the people in the top .1 percent - is it people with Geoguessr type abilities or more like art historians and curators at the Met, I wonder?

Totally agreed. I've never understood why people are so opposed to marginal annotations - it's part of why the book format succeeded as a technology! (i.e you can't marginally annotate a clay tablet). Incidentally, I always loved how Tolkien's maps had these pointing hands to indicate significant bits, and only after reading a lot of old manuscripts and incunabula in grad school did I realize that he was copying the favorite annotation of medieval writers, the manicule: https://en.wikipedia.org/wiki/Manicule

Already tried to do this in a basic form. Advice from experts would be welcome as it's my first time trying to make data and an API available: https://book-prize-index.vercel.app/data

Also I just had to upgrade my Vercel plan due to traffic, which is very welcome and appreciated, but if anyone wants to donate, that would be really helpful! There's a Stripe link at the site: https://book-prize-index.vercel.app

Awesome, that's what I was going for. I originally made this for my own use and got kind of obsessed with building it out once I started finding unfamiliar books I enjoyed using the semantic search and category browsing. Glad to see it out in the world hopefully doing the same thing!

Original author/creator of the site here - thank you! Will add the Axiom one. I am on the fence about whether/how to add "book of the year" type lists as they are somewhat distinct from book awards, but I do think that would probably be the next step to get more books in the corpus.

And any other ideas that HN readers have for awards to add would be welcome. Currently it's probably too history-slanted since I'm a historian and knew those awards better.

Author here - just wanted to clarify in case there is any confusion that those two (intentionally bad/weird) figures of speech about the echo and the trouts in the redwood roots were human written, by me! I wrote them as parody of an AI trying to do "literary" writing. The actual (probable) AI written excerpts are below that part.

I was thinking about the immortal Twin Peaks line "there's a FISH... in the PERCOLATOR" when I wrote the trout one.

Just wanted to flag that the works of Ian Hacking, especially The Emergence of Probability (1975) and The Taming of Chance (1990) are excellent on this. Dense and challenging at times but also well written and the product of a very original mind.

The latter book has a Wikipedia page with some more info - was surprised to see Hacking not mentioned here since the featured article is partly based on his work: https://en.wikipedia.org/wiki/The_Taming_of_Chance

One underrated thing about the recent frontier models, IMO, is that they are obviating the need for image gen as a standalone thing. Opus 4.6 (and apparently 3.1 Pro as well) doesn't have the ability to generate images but it is so good at making SVG that it basically doesn't matter at this point. And the benefit of SVG is that it can be animated and interactive.

I find this fascinating because it literally just happened in the past few months. Up until ~summer of 2025, the SVG these models made was consistently buggy and crude. By December of 2026, I was able to get results like this from Opus 4.5 (Henry James: the RPG, made almost entirely with SVG): https://the-ambassadors.vercel.app

And now it looks like Gemini 3.1 Pro has vaulted past it.

Thank you, this sort of insight is exactly why I've felt such kinship with what software engineers like Karpathy and Simon Willison have been writing lately. It seems obvious to me that there is something special and irreplaceable about the thought processes that create good code.

However, I think there is also something qualitatively different about how work is done in these two domains.

Example: refactoring a codebase is not really analogous to revising a nonfiction book, even though they both involve rewriting of a sort. Even before AI, the former used far more tooling and automated processes. There is, e.g., no ESLint for prose which can tell you which sentences are going to fail to "compile" (i.e., fail to make sense to a reader).

The special taste or skillset of a programmer seems to me to involve systems thinking and tool use in a different way than the special taste of a writer, which is more about transmuting personal life experiences and tacit knowledge into words, even if tools (word processor) and systems (editors, informants, primary sources) are used along the way.

Sort of half formed ideas here but I find this a really rich vein of thought to work through. And one of the points of my post is that writing is about thinking in public and with a readership. Many thanks for helping me do that.

I don't have a good answer to your question, but I do think it might be comparable, yes. If you had good taste about what to get Opus 4.6 to write, and kept iterating on it in a way that exposes the results to public view, I think you'd definitely develop a more fine grained sense of the epistemological perspective of a writer. But you wouldn't be one any more than I'm a software developer just because I've had Claude Code make a lot of GitHub commits lately (if anyone's interested: https://github.com/benjaminbreen).

I am a historian and am putting together a grant application for a somewhat similar project (different era and language though). Would you be open to discussing a collaboration? My email is bebreen [at] ucsc [dot] edu.

Mostly, I gave it some feedback and steered it a little but it's 99% percent Gemini 3. It would be interesting to make something like this "live" in that it could simulate each day of 1995 (say) anew, updating each morning.

Love the faux Nature article: https://sw.vtom.net/hn35/pages/90098000.html

Especially this bit: "[Content truncated due to insufficient Social Credit Score or subscription status...]"

I realize this stuff is not for everyone, but personally I find the simulation tendencies of LLMs really interesting. It is just about the only truly novel thing about them. My mental model for LLMs is increasingly "improv comedy." They are good at riffing on things and making odd connections. Sometimes they achieve remarkable feats of inspired weirdness; other times they completely choke or fall back on what's predictable or what they think their audience wants to hear. And they are best if not taken entirely seriously.

Here is the working version: https://hyper-card-hacker-news.vercel.app

Enjoy!

I also asked Opus 4.5 to make a "1994 style readme page" for the GitHub: https://github.com/benjaminbreen/HyperCardHackerNews

Was going to say - it would be fascinating to go a step further and have Gemini simulate the actual articles. That would elevate this to level of something like an art piece. Really enjoyed this, thank you for posting it.

I'm going to go ask Claude Code to create a functional HyperCard stack version of HN from 1994 now...

Edit: just got a working version of HyperCardHackerNews, will deploy to Vercel and post shortly...

I read Ulysses Grant's memoirs awhile back, and loved his description of being in San Francisco in the 1850s. (Another tidbit I loved is that he imagined an alternate path for his life where he would have settled down in the Bay Area and become a math teacher):

"The immigrant, on arriving, found himself a stranger, in a strange land, far from friends. Time pressed, for the little means that could be realized from the sale of what was left of the outfit would not support a man long at California prices. Many became discouraged. Others would take off their coats and look for a job, no matter what it might be. These succeeded as a rule. There were many young men who had studied professions before they went to California, and who had never done a day's manual labor in their lives, who took in the situation at once and went to work to make a start at anything they could get to do. Some supplied carpenters and masons with material—carrying plank, brick, or mortar, as the case might be; others drove stages, drays, or baggage wagons, until they could do better. More became discouraged early and spent their time looking up people who would 'treat,' or lounging about restaurants and gambling houses where free lunches were furnished daily."

I think the median response is something between revulsion and mild dislike if it's spoken about in the context of the classroom. But there are also a pretty significant group of people who find it interesting as a potential research tool. (Also the question of what "it" is matters a lot here - if you asked people in history about ChatGPT, the response would be massively different than if you asked about machine learning tools for OCR and data mining historical documents, which there is a lot of support for).

Personally I think it absolutely will lead to major changes in historical research. The transcription and translation abilities of transformer models alone are already leading to significant changes and advances. For instance, I'm working on a post about new transformer based OCR tools like Leo that are geared specifically for historical research and led by historians (https://www.tryleo.ai - I'm not involved in the project, just an interested observer).

IMO AI tools will definitely still be used by a minority of historians in a 5-10 year horizon. Historical research is not like some STEM fields where there is a lab-base culture oriented around adopting new tech and finding applications quickly. It's a lot more of a solo, idiosyncratic process of personal research and that is partly why I like it, but it also means that uptake of new tools is much slower. That said, historians do use technology and digital tools all the time and are not inherently adverse to it. It's interesting reading history books from the 1970s, like the works of Lawrence Stone (https://en.wikipedia.org/wiki/Lawrence_Stone) and seeing the footnotes about how the data was encoded in punchcards and analyzed by mainframes. I expect we will be seeing history books by the end of the 2020s that use custom data analytics and tagging tools developed by the historians themselves using vibe coding.

Thanks for the question, will be writing more about this. Feel free to get in touch any time.

Thank you! So glad people here are reading (I'm the author of the post). I'm doing student meetings and grading all day but happy to answer questions or discuss anything historical with the HN community in between!

Agreed. Or at least the best non-Shakespeare play I've ever read, and among the best works of 20th century literature. I really can't recommend Arcadia highly enough. It's both deeply moving and extremely thought-provoking, clever, and intellectual interesting.

Currently working on an idea like this, but its a history simulator for educational use - I find that LLMs respond rather well to being grounded in a specific time/setting in real world history, as opposed to being told to roleplay a fictional setting. The latent space of any fictional world is close enough to other fictional worlds that they will rapidly slide off into other similar-sounding settings. Whereas if you return them to a super-specific historical context each go-around ("The time is now 3:13 pm. It is August 3, 1348. You are currently simulating the functioning of a small vineyard in Normandy. The farmer, [NPC name], is looking for helpers in the fields") they will be able to pull from a pretty solid baseline of background knowledge and do a decent job with it.

Some fun things I've been experimenting with is 1) injecting primary sources from a given time and place into the LLMs contex to further ground it in "reality" and 2) asking the LLM to try to simulate the actual historical language of the era - i.e. a toggle button to switch to medieval French. Gemini flash lite, the only economical model for this sort of thing, is not great at this yet but in a year or so I think it will be a fascinating history and language learning tool.

Have been meaning to write this project up for HN but if anyone wants to try a very early version of it, it's here - you can modify the url to pick a specific year and region or just do the base url for a fully random spawn, i.e. here is Europe in 1348: https://historysimulator.vercel.app/1348/europe

Exactly, this is the reason why I struggle with this sort of solution to the problems we are all facing in education currently. On the surface it seems to make sense, but the blue book exam is entirely artificial and has basically no relationship to real world skills (subconsciously, even the quality of student handwriting handwriting could influence how graders assess blue books). Even leaving AI aside, anyone writing anything nowadays is using Google and Wikipedia and word processors, so why constrain those?

Oxford and Cambridge have a "tutorial" system that is a lot closer to what I would choose in an ideal world. You write an essay at home, over the course of a week, but then you have to read it to your professor, one on one, and they interrupt you as you go, asking clarifying questions, giving suggestions, etc. (This at least is how it worked for history tutorials when I was a visiting student at an Oxford college back in 2004-5 - not sure if it's still like that). It was by far the best education I ever had because you could get realtime expert feedback on your writing in an iterative process. And it is basically AI proof, because the moment they start getting quizzed on their thinking behind a sentence or claim in an essay, anyone who used ChatGPT to write it for them will be outed.

I realize this isn't the same thing as your point about images as part of training data, but just flagging it in case anyone isn't aware: Claude Code lets you copy and paste images into terminal. I've been designing a "universal history simulator" game for use in my history classes lately, and it is really helpful to be able to make a mockup of a ui change I want and then paste it in, rather than trying to explain it verbally. Also good for debugging graphics issues.

Sorry just realized I posted the wrong URL - resubmitting with correct url now.

Just as a side note, I ended up turning the 1970s RPG type game it originally made into a text-based RPG where you play as Henry James in 1889, kind of fun! Curious if the link actually works:

https://aistudio.google.com/app/prompts?state=%7B%22ids%22:%...

Yes, I think this kind of combination is where higher ed is going to land. I've been talking to a colleague lately about how social skills and public speaking just got more important (and are things we need to focus on actually teaching). Likewise, I think self-directed, individualized humanistic research is currently not replicable by AI nor likely to be - for instance, generating an entirely new historical archive by conducting oral history interviews. Basically anything that involves operating in the physical world and deploying human emotional skills.

The unsolved issue is scale. 5-10 minute Q&As work well, but are not really doable in a 120 student class like the one I'll be teaching in the fall, let alone the 300-400 student classes some colleagues have.

The ability to seamlessly integrate generated images is fascinating. Although it currently takes too long to really work in a game or educational context.

As an experiment I just asked it to "recreate the early RPG game Pedit5 (https://en.wikipedia.org/wiki/Pedit5), but make it better, with a 1970s terminal aesthetic and use Imagen to dynamically generate relevant game artwork" and it did in fact make a playable, rogue-type RPG, but it has been stuck on "loading art" for the past minute as I try to do battle with a giant bat.

This kind of thing is going to be interesting for teaching. It will be a whole new category of assignment - "design a playable, interactive simulation of the 17th century spice trade, and explain your design choices in detail. Cite 6 relevant secondary sources" and that sort of thing. Ethan Mollick has been doing these types of experiments with LLMs for some time now and I think it's an underrated aspect of what they can be used for. I.e., no one is going to want to actually pay for or play a production version of my Gemini-made copy of Pedit5, but it opens up a new modality for student assignments, prototyping, and learning.

Doesn't do anything for the problem of AI-assisted cheating, which is still kind of a disaster for educators, but the possibilities for genuinely new types of assignments are at least now starting to come into focus.

Author of the original Appendix article here (the one about Darwin's kids) - I think it got on HN today because I linked to while discussing Onfim here: https://resobscura.substack.com/p/onfims-world-medieval-chil...

That's awesome, thank you for uploading.

Gwern and others who have dug into it this far might be interested by this footnote in the Crespo article: "I have tried to lay my hands on the original version of the conversation, as I am sure Simon did, too. I contacted Gabriel Zadunaisky, who, as the article explains, participated in the meeting. He is a professional translator. I asked him for the original version, and he replied on WhatsApp: 'Mr. Crespo: I am very sick. Unfortunately, I am unable to provide you with the information requested.' My hypothesis is that Zadunaisky translated the conversation directly from the recorded version and that this original version has been lost."

My read is that most likely, it was recorded on an old school reel-to-reel tape recorder. It's entirely possible that the tapes are still sitting on a shelf somewhere in Argentina, though the chances of actually tracking them down are pretty low. I worked with some reel-to-reel tapes that Alan Ginsberg made (now held at Stanford) in the mid-60s (including one where he is talking to Bob Dylan!) and they held up pretty well. Had to use audio editing software to remove tape hiss, but they were not as badly preserved as I expected.