40 karma · joined May 2, 2017
Now that I have a streaming subscription to Tidal (CD quality) I find very little reason to look to alternative music sources. With Amazon Prime the same goes for a lot of TV and movies. But for niche stuff there will always be torrent sites.
Speaking only for myself, blocking commercials is probably the biggest motivator for myself in seeking DVD sets and/or series of TV shows. Once you have stopped watching "live TV" you'd be surprised how sensitive you become commercials blasting every 10 minutes. Kind of like turning off your ad blocker (I honestly don't know how people survive the web without those things). I'm willing to pay for the "privilege" of not being yelled at every 10 minutes...
I wish to make one main observation about the vinyl resurgence. Vinyl (which I enjoy, mostly for nostalgia because I'm old enough to remember when it was the main format) is on the rise for the wrong reasons. One reason is that it has become trendy - and I have no problem with this, but it's a real thing. Another more frustrating reason is the perception that vinyl masters cannot have the same amount of compression as digital masters, hence the perception is that vinyl version of a modern master will less compressed. Many, many audiophiles believe this. However I can tell you that the vast majority of modern vinyl releases are the same exact mastering as the digital version. The digital tracks have already been "squashed" and that mastering is fed to the cutting head after applying the RIAA curve.
However, the "dynamic range database" (results from a piece of free software that applies an algorithm to digital music and assigns a number related to the ratio between peak and RMS energy in the music) will regularly indicate vinyl versions of music (recorded and digitized by someone on their home setup) with more dynamic range. The problem is that this "extra" dynamic range arises from the inability to reproduce square waves (those flat-topped 0 dBFS regions in the article) in the analogue domain... there are overshoots that "add" peak energy that didn't exist on the squashed digital master. So you have people who think squashed music that has gone through all of the processing that is required to make a vinyl record magically comes out on the other end with more dynamic range, sounding better, when it's added a bunch of additional distortion. It's part of what makes the audio hobby so much.... fun.
What the author seems to be advocating is some sort of normalization process for the peer review process... it's not entirely clear what she is calling for. I've always advocated for double blind reviews, but it's very difficult for these to work because in small fields such as my own, it's pretty trivial to figure out who wrote the proposal. So it one sense, the rich get richer, but so long as the science that comes out of it is good, so be it! You aren't going to get R1 research done when you have a 3/3 teaching load with no graduate support, that's just life.
I have been on both sides of the review process and I have yet to feel like I was snubbed in my earlier "toiling" days, nor have I, when reviewing, felt compelled to award someone just because they were a "star" - if anything, I might even be more critical when reviewing proposals and papers from "stars". For me, though, I just basically follow the guidelines for evaluating proposals and let the chips fall where they may.
And I know it's just an anecdote, but I'm a successful scientist with a PhD who vaporizes daily. I prefer it to an alcohol buzz. No hangover, no blackouts, no stupidity.
I will be sure to shed a tiny tear for the macrobrew industry, those poor, poor shareholders.