Indeed. One of the things that Kimiko is looking forward to is the pedal. Chopin is extremely precise with his pedal marks, to the point where many performers overlook them almost altogether because they're so demandingly prescriptive. Kimiko, the purist that she is, wants to perform Chopin's pedalling as close to exactly like he wanted it as possible, and is looking forward to hearing what it sounds like on the Pleyel piano, in the hope that it will explain some of the difficult to understand aspects of his pedalling markings.