I'd love to hear some examples of a barbershop n-tet doing it too, I'm sure it's even better. But when I search for 'barbershop overtones' it's all music by groups called The Overtones :)
I'd love to hear some examples of a barbershop n-tet doing it too, I'm sure it's even better. But when I search for 'barbershop overtones' it's all music by groups called The Overtones :)
The principle is actually the same -- she is modifying her singing apparatus to emphasize different upper partials that are already in her voice. Barbershoppers do this as well, though less explicitly (we do vowel matching, which helps emphasize upper partials to produce greater ring).
Here's a video from a perennial favorite quartet (the Gas House Gang): https://www.youtube.com/watch?v=pvYT_yWiLqU The top/tenor note is often the same note as the primary overtone produced by the other 3 parts (adding further emphasis to the overtone), but this effect is what gives barbershop the quality of sounding like more than 4 voices, and produces the "ring" in the sound.
Lest anyone think that barbershop is just for old folks: https://www.youtube.com/watch?v=XWmFfFx24zs (Vocal Spectrum, 2004 international collegiate quartet champions and 2006 international quartet champions)
Or just for Americans: https://www.youtube.com/watch?v=rFWhnOP_UVk (Ringmasters, 2012 international quartet champions, from Sweden) https://www.youtube.com/watch?v=T6HM-oLG_cI (Musical Island Boys, 2014 international quartet champions, from New Zealand)
Or always serious: https://www.youtube.com/watch?v=ihdtI0E_mmQ (Storm Front, 2010 International Quartet Champions and comedy quartet)
Or just for men: https://www.youtube.com/watch?v=tWqtFxW4kiE (LoveNotes, 2014 Sweet Adelines International Quartet Champions)
Or just for adults: https://www.youtube.com/watch?v=sREQu_AaUso (The Osmond Brothers... yup ;))
I also did a bit of barbershop (we called ourselves The Overhead Projectors...) and playing with throat-singing was actually quite useful in that context. I'm not sure how much it affect my actual voice control (probably some), but mostly I just became keenly aware of how much tone could vary just based on little changes in positioning of mouth, throat, tongue, palate, etc..
Here's a fairly technical article about three different seventh chords, one (the harmonic seventh) being the so-called barbershop seventh chord. There are embedded YouTube videos with computer-generated audio samples. http://www.garygarrett.me/?p=1575
Listen for when the director sings the overtone note alone, then listen to the chorus as they produce it.