Optimizing for profit is a strong force, and initially it helps any new industry make huge leaps of quality. But at some point, it starts to be more profitable to sacrifice human values. We're far into this part in case of media. What sells is linkbait, controversy, "reinforcing pre-approved narratives" (or more generally, reinforcing what people already believe), fake "thought provoking" content that is actually repeating established beliefs. Investigative journalism, good news, well-thought pieces don't sell enough, so they get left behind.
Both sell newspapers/pageviews. There's all the room in the world between approved objectivity and calculated dissent. It just don't pay.
The recently butchered James Foley said he'd cover local planning commission meetings if that was his last professional option.
Idealist? Chump?
Who else is going to do it, and do it well -- who informs the polis, so that a half-ass democracy can at least pretend to function?
Crowd-sourced event coverage is cheap and easy and sexy. But it doesn't provide context.
Sadly, for-profit media seems determined to capitalize on free YouTube and Twitter feeds at the expense of paying professionals to pay attention and make sense of complex issues.
Nothing new here. Move along. News at 11.
Did I say that out loud? Again?
(Edit: I'm also a big fan of The Dish View From Your Window Contest, which leads this discussion. Interesting media model at The Dish: curate/create great content/commentary, and ask readers to pay. So far, so good.)
Honestly, if that's the case then let's keep the "pre-approved" narratives coming because in that case, it happens to be the correct narrative.
1) They represent a sexual minority
2) They have a name that allowed media to go for shock value by simply stating the band by their full chosen name