My assumption based on the title was the article would be a discussion about hollywood accounting where numbers are manipulated until only the studio wins. I was pleasantly surprised to read about fake currency.
My assumption based on the title was the article would be a discussion about hollywood accounting where numbers are manipulated until only the studio wins. I was pleasantly surprised to read about fake currency.
You overestimate Hollywood tremendously. They'll create a GUI interface using Visual Basic and see if they can track an IP address. [1]
The more rage the better.
Whereas this one ...
Antitrust and Social Network also show real source code that compiles (C, Java, Perl, Bash, HTML), Antitrust even explains "Open Source" to the audience. The camera work (especially showing relevant parts of the computer monitors and pan around to keep it engaging for a longer time) on all four movies is really fantastic.
* The Net (1995) - filmed one year before the World Wide Web got traction with the first fully graphical Mosaic web browser: http://www.imdb.com/title/tt0113957/
* Antitrust (2001) - famous for highlighting the open source movement, features a "CEO" that resembles a mixture of Bill Gates and Steve Jobs in one person as evil character, shows Linux desktop and command shell, and shows real Linux developer: http://www.imdb.com/title/tt0218817/
* Social Network (2010) - very realistic, based on real detailed technical blog posts from 2004 on LiveJournal from Mark Zuckerberg and Eduardo Saverin's memory: http://www.imdb.com/title/tt1285016/
* The Girl with the Dragon Tattoo (2011) - nmap tool, etc.: http://www.imdb.com/title/tt1568346/
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* Jurassic Park (1993) - real 3D file manager application on Unix desktop, first use of OpenGL: http://www.imdb.com/title/tt0107290/ , see: http://www.youtube.com/watch?v=zaRHU1XxMJQ and http://fsv.sourceforge.net/
* movies (like The Matrix reloaded) that use the nmap tool: http://nmap.org/movies/
http://priceonomics.com/why-do-all-hollywood-movies-lose-mon...
Still, I suspect a more honest studio could quickly gain a lot of traction.
As the talent, it's just easier to demand a large payment up front and just forget about the royalties. As the studio, it's easier just to pay that amount up front. Then, magic voodoo accounting and poof any statutory royalties are eliminated.
I suppose in this case, the "honest" studio is negotiating that large up-front payment to its talent rather than trying to sell the talent on the eternal royalties that never come.
"Bullock's deal with Warner Bros. for the Alfonso Cuaron-directed space epic calls for her to earn $20 million upfront against 15 percent of first-dollar gross. "
USD $70 million
USD $50 million for Robert Downey Jr. on Iron Man 3
Not too bad