MIKE LIVES IN Fremont, a trendy district north of Seattle’s downtown that’s known as a haven for alternative types. Even there, though, he doesn’t quite fit in.
Take his apartment: it isn’t one. From the street, a glass door opens onto a concrete retail space with 25-foot high walls. The windows are covered by blinds. Ceiling-mounted halogen tubes cast a low glow that leaves the corners dark. Delicious smells from a neighbouring sushi restaurant occasionaly fill the space, but Mike’s own kitchen is rarely used; obscure electronic components and dismembered gadgets crowd the counters. The floor is covered in random detritus: a single white sock, a piece of fuzzy green string.