You know, I've never understood the point of private "community" trackers. Anything mainstream will be on TPB. Anything extremely fresh will be on the release group's own (almost-always-public) tracker. And for the really long-tail stuff--unpopular nonfiction books from the 80s, for example--they've just never been digitized at all. What's an example of the sort of thing people find private trackers uniquely valuable for?