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Here's my thinking about the decision on the part of an artist to release their entire catalog to the public for free: if digital distribution has rendered direct sales to the customer significantly less worthwhile than it once was, they need some alternate source of promotion and revenue. A move like this would likely increase the artists' visibility in the public's eye without significantly harming their total revenues.Well, if their primary source of revenue were the releases,
then the switch to digital (and the ease of just getting it from a pirate say even for people who would have ordinarily bought the LP/CD), then their total revenue is significantly harmed to begin with.
So, with sales hampered, mostly gimmicks like merchandise remain (for bands that catter to immature people buying branded t-shirts and the like, e.g not gonna really work for jazz or classical or tons of other genres).
And, of course, concerts. But those mostly apply to genres and bands with big enough fanbases to be able to have concerts and make a buck. For the rest, concerts are mostly lossing money (and were historically loss leaders for records sales for most bands).