On a somewhat related note, the advent of MIDI and the subsequent wind-type controllers meant that I'd spent a whole bunch of money on a Lyricon the previous year for nothing...
If you go to a 6th grade band class, to where the clarinet nd sax players are not adept at embouchure, choosing reeds and assembling the instruments, you hear all knds of interesting inadvertent things. Single reeds are fantastically flexible instruments. A few months ago i noticed for the first time how similar the tones of Dolphy's bass clarinet and Coltrane's soprano sax are on the 1961 recordings.
If anybody's interested, how to play quarter tone music on sax (pg 25 in the pdf:
http://davidvaldez.blogspot.com/2012/09/quarter-tones-by-don...