The Library of Congress is selective about what it preserves too, as is every museum. No single entity could possibly hope to preserve every film, it takes a community.
> don’t even follow a basic 3-2-1 backup protocol
The swarm is the backup. You can't beat hundreds of hash-checked copies across the globe.
> I bet not even 1 in 1000 people pirating are doing it primarily as a preservation exercise.
I bet you're right. Isn't it wonderful, then, that those 1 in 1000 (who are overrepresented in tracker admin and release group/scene work) are able to harness those selfish impulses and turn them into the most complete, accessible, and durable distributed art preservation project in human history.