Public art painted on someone's property. No mention of what kind of arrangement they had with the propery owner when they painted it.
https://missionlocal.org/2026/09/four-murals-in-clarion-alle...
>“CAMP has had both written and verbal agreements/understandings with property owners and landlords regarding murals on Clarion Alley for 34, going on 35 years,” read a statement from Clarion Alley Mural Project.
This should have been mentioned in the original article. It also should be obvious, I think. Why would you assume that high-quality murals created by an established institution were done without proper legal arrangements?
As I understand it, here in Norway the propery owner would be entitled to destroy the murials entirely (but not alter or mutilate), by say painting over them in entirety. However they should then notify the copyright holder (artist) in advance so the copyright holder has time to document the murial.
Sounds like this wasn't done, but I don't know if there are similar laws over there.
[1]: https://www.ahdictionary.com/word/search.html?q=graffiti
This is a completely fair assumption in San Francisco of all places.
> Public art painted on someone's property. No mention of what kind of arrangement they had with the propery owner when they painted it.
> “CAMP has had both written and verbal agreements/understandings with property owners and landlords regarding murals on Clarion Alley for 34, going on 35 years,” read a statement from Clarion Alley Mural Project.
> At the moment, it’s unclear whether CAMP has a written agreement for 3331 17th St. The organization, however, does have a verbal agreement with all the landlords/property owners where they have murals throughout the alley.
> The property’s owners haven’t changed since 2001. The owner of 3331 17th St. is listed as the Guerrero V. Espinoza Trust in city records.
> The murals painted over include “We’re all in this together,” a memorial for activist and artist Kirsten Brydum, painted in 2016 by John Viola; “Everything Must Go,” a tribute to Adobe Books’ former home at 3166 16th St., painted in 2015 by Daniel Doherty; a tribute to local graffiti artist Chloe a.k.a. Marfa by Floyd; and a mural completed this spring by students from Graffiti Camp for Girls, a local organization training young women in creating public art.
The decent thing to do was to come to an arrangement whether there was a previous arrangement or not. You can be perfectly within your rights as they might be litigated in a court and still be an asshole deserving of public disapproval.
> This alley has consisted of mostly murals for several decades.
Painting a wall is something that usually doesn't require a permit. Maybe some restrictions if the building is a historic landmark or something like that.
There almost certainly wasn't here, but owning property does not always give you unrestricted rights to do as you please with it.