The word has not only one but several clear meanings:
> In the context of art history, modernity (Fr. modernité) has a more limited sense, modern art covering the period of c. 1860–1970.
> In the context of art history, modernity (Fr. modernité) has a more limited sense, modern art covering the period of c. 1860–1970.
It's more than a century old now.
"Modern art" in the 1950s/60s post-war sense means extreme abstraction with no realism at all.
Ironically abstraction can work in two directions - evocative messes like Pollock, or clean geometry and abstract functionalism in design and architecture.
The CIA liked the former in art because it was bold, challenging, abrasive, and individualistic. And the artists were drunks and addicts who were easy to own.
The other direction became domestic and corporate design.
And probably also due to it being a counterpoint to the constructivist styles that were being actively promoted by Soviet authorities at the time.
What it is not is obvious to derive from first principles ("says modern, so much mean current") or stuck to a single definition ("but historians call any art after the middle ages Modern").
But it is still trivial to pick the context in either use, and trivial for someone to read at least 1 paragraph about the "CIA psy-op" claim, whether it's true or not, and figure what it means by modern art there (it doesn't mean Van Gogh or Monet). People just want to comment without bothering.
Clinton was just ahead of the curve.
But I was trying to reach the person who left the parent comment.
And hitting them with a phrasing that is directly poststructuralist seemed to be the wrong approach since they appear to operate in a structuralist framing.