Dubbing for foreign movies is an art long lost in Germany; the East Germans (DEFA) were especially good at it, my favorite being Karel Steklý's eternal Dobrý voják Švejk (The Good Soldier Schweik), for which DEFA tapped the Austro Rudolf Wessely.
And today? Whenever I get exposed to a German dub I get reaquainted why I call that stuff the Fremdschämspur (the cringe track).
Big budget animated movies often have great dubbing.
You've got to be kidding me, lol. Anyway, voice (character) mismatch is the first thing I often notice. How often have I heard a commanding adult in English dubbed into what sounds like a tortured, overemoting teen/twen in the German version (I feel it's especially pronounced in women's characters but that might be just sample bias). Even deadpan delivery sounds tryhard. And it's not just for English, either.
Modern German dubs, to me anyway, are their own comedic genre. And make no mistake: I'm fuckin' serious about it. Just study some classics. You'll see.