Glad they acknowledge this.
Curious how much time in addition to tokens this costs. If you have to spend $25 and wait 45 minutes to get a basically unwatchable video, I'm not worried about indie film makers being replaced just yet...
Glad they acknowledge this.
Curious how much time in addition to tokens this costs. If you have to spend $25 and wait 45 minutes to get a basically unwatchable video, I'm not worried about indie film makers being replaced just yet...
Just because it’s possible now, doesn’t mean it’s worth doing.
Then someone comes along and says “I honestly can't really tell how these are worse than the human produced ones. They all sound kinda the same to me” and “I honestly can’t tell a good piece of music from a bad one. I don’t know what makes a piece of music “good”. These AI generated ones seemed pretty good to me, on the same caliber as those Mozart or Beethoven things”.
That’s what you’re doing, and that’s why you’re being downvoted. It’s fine that you can’t tell, but it’s supremely obvious to everyone else.
Like:
> Everyone, including the authors, agrees the result is shit.
> I honestly can't really tell how these are worse than the human produced ones. They all [seem] kinda the same to me
There is not actually a contradiction here.
Acting like some Roman legionary, saying "This slop is good enough for the piggies. not that I, classically trained, could discriminate between the slops either way" is certainly not contradictory, but if it needs to be the kind of discourse defended on here, then please, go right ahead!
I'd assume that it was a bad LLM take, but it looks like the rest of the comments are normal.
You might be able to discuss asthetics from a music theory standpoint because you are "classically trained", again, it is just a weird mismatch that stood out for me recently, but I think everyone is a little more paranoid lately.
This is a fundamental shift in how storytelling is funded and made, not in who does the driving.
Same as is happening with code.
I’m curious (admittedly skeptical) what you mean by this. Are you talking about a world where director’s just like…don’t actually make movies and create AI media?
I don't think you understand my arguments at all.
I don't want people to lose jobs. I don't want the advantages to accrue to a few hyperscalers.
I want there to be more work, more money, more societal progress. For everyone.
AI currently enables experts in their domains (code, film, game design, music) to get the work of small teams done. It is now possible for dedicated, hard-working ICs in several domains to produce extremely good products in a short amount of time without external capital and without studio meddling. This is a good thing.
AI in production has allowed us to salvage bad audio and fix mistakes/not go back for re-shoots or ADR when it’s acceptable. It’s currently a repair/salvage and corner cutting tool. As for video, generative AI is not creating particularly usable stuff and it’s at best useful for short bursts.
If you’re in the commercial game it’s a little more useful - a few seconds of a generic looking kitchen sink and faucet running isn’t a big ask. But also getting quality B-roll isn’t particularly laborious as it is.
It’s great for transcriptions/captioning first passes but we already had great tools for that prior to the ChatGPT era.
It’s not cutting for us, it’s not generating useful shots most of the time and only for a few seconds, it’s not cutting out middlemen. I don’t see what you’re seeing.
Versus:
> It is now possible for dedicated, hard-working ICs in several domains to produce extremely good products in a short amount of time without external capital and without studio meddling
A contradiction exists: lower-capital requirements means less employment all-around and more profit to fewer people.