Consider Amber Run - Found lyrics versus the video, and the story arc of the video
...
This hit, that ice cold
Michelle Pfeiffer, that white gold
This one for them hood girls
...
So "white gold" makes a lot of sense now.
I just wanna, I just wanna know
If you're gonna, if you're gonna stay
I just gotta, I just gotta know
I can't have it, I can't have it any other way
I swear she's destined for the screen
Closest thing to Michelle Pfeiffer that you've ever seen, oh
...
For contrast these have "ice cold" (shot of ice cubes), "got chucks on" (shot of shoes), "livin' it up in the city" (shot of city).
This is what LLM models do.
Once you notice this, it's impossible to not notice it.
It's a song about how white people find black culture cool but are themselves stereotypically uncool.
It's a song about nerd culture and celebrating that, wherein a white nerd makes the same kinds of boasts that black rappers do in their music, but about nerd stuff.
It's layered, as any good parody has to be, with cultural references. When Al mows the lawn, he isn't just mowing the lawn because the lyrics say he's mowing the lawn, he's mowing the lawn because that's a sterotype of white people, and the intent is to show how uncool Al is and how unlikely he is to fit into the culture he aspires to. Note that when Key and Peele show up they lock the door on their convertible. This is a joke because their convertible is down and locking it while literally useless is an expression of their frustration with Al's nerdiness, it's also something white people stereotypically do around black people. The candles behind him are arranged like a Pac-Man. Al mentions that his rims don't spin not because the rims of the car in the frame aren't spinning but because he's a nerd and why would a nerd have spinning rims?
In "Amish Paradise" there's a part where Al sweats profusely. This is both a reference to the hard physical labor employed by the Amish and to the original Gangster's Paradise video.
The levels you're missing are irony, cultural awareness and genre awareness. The context is what makes the humor work.
The other things you’re saying are about the song and storytelling there which is not relevant here. We’re talking about the translation from the song and lyrics to a video. The things I’d remembered about the video were very direct translations from the lyrics, because the lyrics are very clear and to the point.
> Al mentions that his rims don't spin not because the rims of the car in the frame aren't spinning but because he's a nerd and why would a nerd have spinning rims?
Right, a thing in the lyrics.
But most people are going to understand the difference between the two and see that argument for the reach that it is.
You don't need to, because I've not done that. This may be why you're reading my comments as obtuse because you think I'm saying something that I am not.
I initially thought you were mixing up a discussion about the lyrics vs creating a music video for a song. However now I'm not sure if you think that Weird Al wrote the lyrics after the video was created?
> If you want to believe that satire and parody only consist of blindly showing things mentioned in the lyrics
The songs are excellent parody, and then things like the music video for white and nerdy is pretty much a series of scenes showing exactly what the lyrics are saying. Almost every shot is explicitly the thing being said.
> Al mentions that his rims don't spin not because the rims of the car in the frame aren't spinning but because he's a nerd and why would a nerd have spinning rims?
The lyrics were written first, explaining that his rims don't spin. This is because he's a nerd. The music video was then created, and at the point this is sung he points to his stationary rims.
If it wasn't a parody of an existing song, and the popular genre, it would be complete garbage. Nothing about the song would work.
> It's funny when the nerd is pointing at the old JS logo and star trek's klingon icon
The lyrics are funny. The video is almost entirely converting each near standalone statement into a very direct scene. "I'm fluent in javascript as well as klingon" is the funny line about his nerdiness, and the video is literally just him pointing to those logos.
Key and Peele locking the car doors is one of the few things that happens that's in the video and not explicitly said in the lyrics.
If anything, the absurd literalism of the video contrasted so perfectly with the (IMO) brilliant clever originality of the lyrics. E.g. "Michelle Pfeiffer, that white gold" is actually a not-so-subtle reference to cocaine. Imagine if the lyrics were as stupidly unoriginal as the video ("Now we're all snorting cocaine!!").
If the music is crazy popular, you can still do it. See Land Down Under
Claude can right great code, but it’ll throw comments into the code about why we chose this approach instead of the random one I discussed with it - when the comment is of no use to a future developer.
It points at some sort of theory of mind problem in LLMs imo.