Something went wrong with music and culture in recent times. Participation became consumption. Everybody got their own headphones, channels, and separate cultural bubbles. Concerts became about filming a DJ twiddling a USB controller.
By the lake we tried to get people up and dancing, and one of the girls led a reggaeton/zumba/salsa session. I had one woman come up and ask for advice on where to go to get dance lessons. But most people sat there watching, clearly wanting to take part but scared. People have learned that creativity and participation are not welcome.
The most amazing thing was a little 10-year-old girl who just sat herself down in our group of adults. She was so happy to see people singing and dancing. We chatted to her for a while, and then it turned out she could play guitar, so we gave her one and she jammed along. Her mother was observing from a distance and was happy to see her daughter connecting and participating with strangers.
I don't think the issue is between AI and authentic music. This argument about authenticity in music is ages old. It's more about the imbalance in participation between producer and consumer. If AI music allows someone with less formal musical skills to feel like they are joining in and making something, then maybe it has its value.
Still, I'll always be more impressed watching someone play their trained fingers over a piano or guitar. There is more magic in that than prompting an AI. But if the music is just a backing track to some other participatory activity like dancing, then the equation is different again. I honestly couldn't tell — or maybe care — if many of the Bachata songs played at parties are fully or partially AI-generated. I suspect a lot are. But most of the reason I'm there is not to fetishize the authenticity of music, but to hang out with friends and dance and have a good time.